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Julian Simon's "Howling at the Moon" features a subdued palette of mauve and gray, creating a dreamy, introspective ambiance. The composition highlights a lifelike hand casting a shadow that appears to howl toward a textured, clay-like moon, juxtaposing realistic detail with abstract form. Simon's style blends realism with a sense of whimsy and surrealism, embodying the playful distortion of perception. Rooted in his transition to working with clay during lockdowns, the painting reflects a whimsical exploration of memory and identity, inviting viewers into a beautifully disoriented world. ...
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Born in Wermelskirchen in 1994, Julian Simon lives and works in Berlin, where he studied painting at the Weißensee Academy of Fine Arts. Torn from the Berlin parties he portrayed in his early years, Julian Simon reinvents his artistic practice during the lockdowns by modeling little sculptures of clay, and reproducing them with oil paint. Childlike in their rough forms and pop colors, these clay sculptures contrast with the linearity of the realistic scenes depicted in the background, which are often anodyne scenes of life meticulously reproduced. Julian Simon thus creates intimate paintings made up of layers of memories, dreams and mental sentences, materialized by the shapes formed from modeling clay which, without much concern for coherence with the context, disorients and tints each composition with mystery, weirdness and humor. Through his distinctive artistic language, Julian Simon offers a realistic, yet offbeat perspective on the ailments of the Generation Y. ...