燃える魚の背/Tomorrow will be even more interesting /枝を掴み,海を逃れ

Kenjiro Okazaki

燃える魚の背/Tomorrow will be even more interesting /枝を掴み,海を逃れ, 202318.2 x 25.2cmSign in to view price
Details
Material
acrylic on canvas
Description
Human-crafted. AI-refined.

This abstract painting features a vibrant color palette with bold, expressive brushstrokes. The composition is composed of dynamic shapes and forms in shades of red, blue, and green, creating a sense of movement and depth. The artist's distinctive technique, which appears to involve layering and blending the paint, results in a visually striking and emotive work. This piece likely reflects the artist's personal exploration of color, form, and the expressive potential of the medium, offering the viewer a glimpse into their unique creative vision. ...

Similar Artworks
Guy
Guillaume ValentiGuy, 2020
50 x 30cm
Bosch I
Guillaume ValentiBosch I, 2021
30 x 40cm
Contemplating
Sans titre
Guillaume ValentiSans titre, 2020
150 x 200cm
Sunset Beach
Bouquet
Miho IchiseBouquet, 2020
33.5 x 24.5cm
Triangle
Boulder, Iceland, 2008
Slow Swing
No title
Bill LynchNo title
43 x 35.5cm
Senza titolo
Mach
Beltrán ObregónMach, 2000
150 x 136cm
Soap Bubbles
Untitled
Maryam EivaziUntitled, 2019
207 x 190cm
燃える魚の背/Tomorrow will be even more interesting /枝を掴み,海を逃れ
Artist
Kenjiro Okazaki
B.1955, Japanese

Kenjiro Okazaki (born in 1955 in Tokyo) is an Artist, Critic and Visiting Professor of Musashino Art University. Okazaki is a Japanese visual artist whose work spans over several genres, including painting, sculpture, as well as landscape and architecture. Many of his works have been featured in public collections throughout Japan and in various exhibitions around the world. In 2002, Okazaki was selected as the director of the Japanese pavilion of the International Architecture Exhibition in Venice Biennale. His works include a collaborative performance 'I Love my Robot' with choreographer Trisha Brown. He received a Smithsonian Artist Research Fellowship at Hirshhorn Museum and Sculpture Garden in 2014. Okazaki is also extremely active as a theoretician and critic, and is the author or co-author of several books, including Renaissance: Condition of Experience (Bunshun Gakugei Library, 2015) featuring his analysis of Filippo Brunelleschi, and Abstract Art as Impact: The Concrete Genealogy of Abstract Art (Akishobo, 2018), which received the Minister of Education Award for Fine Arts in 2019. ...

Kenjiro Okazaki: Artworks
TBD
Kenjiro OkazakiTBD, 2021
16.4 x 21 x 3cm
TBD
Kenjiro OkazakiTBD, 2023
208 x 117cm
TBD
Kenjiro OkazakiTBD, 2023
164 x 91cm
Unlock Price & Inquiry Access