The artwork features a vibrant collage of abstract shapes and colors. The composition is dynamic, with layers of warm orange and brown tones juxtaposed against cool blues and greens. The artist has employed a variety of techniques, such as tearing, folding, and layering the materials, creating a visually striking and textured surface. The subject matter appears to be a playful exploration of form and color, with no clear representational elements. The overall style and approach suggest a contemporary abstract expressionist sensibility, inviting the viewer to engage with the work on a purely visual and emotive level. ...
Kenjiro Okazaki (born in 1955 in Tokyo) is an Artist, Critic and Visiting Professor of Musashino Art University. Okazaki is a Japanese visual artist whose work spans over several genres, including painting, sculpture, as well as landscape and architecture. Many of his works have been featured in public collections throughout Japan and in various exhibitions around the world. In 2002, Okazaki was selected as the director of the Japanese pavilion of the International Architecture Exhibition in Venice Biennale. His works include a collaborative performance 'I Love my Robot' with choreographer Trisha Brown. He received a Smithsonian Artist Research Fellowship at Hirshhorn Museum and Sculpture Garden in 2014. Okazaki is also extremely active as a theoretician and critic, and is the author or co-author of several books, including Renaissance: Condition of Experience (Bunshun Gakugei Library, 2015) featuring his analysis of Filippo Brunelleschi, and Abstract Art as Impact: The Concrete Genealogy of Abstract Art (Akishobo, 2018), which received the Minister of Education Award for Fine Arts in 2019. ...
