Wrong Turn
Wrong Turn

Kyle Morland

Wrong Turn, 2019310 x 169 x 135cmSign in to view price
Details
MaterialGallery
marine grade aluminium, cadmium plated brackets, stainless steel boltsblank projects
Description
Human-crafted. AI-refined.

This minimalist sculpture features a striking geometric form in a pure, monochromatic palette. The prominent sculptural piece consists of a single, continuous curved line that creates a distinctive looping shape, crafted from sleek, matte-finished concrete or a similar industrial material. The simplicity of the design and the use of negative space imbue the work with a sense of dynamic tension and visual balance. Reflecting the artist's interest in exploring the formal and conceptual possibilities of three-dimensional form, this bold, abstract sculpture invites the viewer to consider the interplay of mass, volume, and architectural space. ...

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Vanitas vanitatum omnia vanitas
Kyle Morland
Artist
Kyle Morland
B.1986, South African

Kyle Morland is an interdisciplinary artist who primarily works with sculpture, photography, and video. His artistic practice revolves around the manipulation of materials and experimentation with form and spatial relationships. Morland creates his artwork while adhering to self-imposed formal constraints, such challenges he gives himself. His sculptures demonstrate a playful engagement with proportion, balance, and dimensionality. His continuously growing archive of photographs resonates within his sculptures as he borrows and stretches industrial materials, reimagining functional forms and structures. To produce his sculptures, Morland often creates functionless forms or "tools" in his studio, which often resembles an industrial workshop. Concealing the making of his large sculptures, Morland erases visible seams that once identified the parts as separate. This produces a gestalt sensation, that is juxtaposed by the laying bare of certain aspects of his systematic process, such as the installation of single units. Morland's work focus' on transitions, while referencing industry and the body, fragments and unity, process and play. ...

Kyle Morland: Artworks
Glitch
Kyle MorlandGlitch, 2016
300 x 204 x 152cm
Double Pun
Kyle MorlandDouble Pun, 2015
180 x 120 x 140cm
Nude
Kyle MorlandNude, 2016
245 x 35 x 42cm
Untitled (Orange)
Untitled
Kyle MorlandUntitled, 2015
212 x 50 x 50cm
Falsework
Kyle MorlandFalsework, 2012
512 x 270 x 160cm
Wrong Turn
Kyle MorlandWrong Turn, 2019
310 x 169 x 135cm
LB2AB
Kyle MorlandLB2AB, 2018
70 x 90 x 20cm
Because of You
Kyle MorlandBecause of You, 2021
174 x 213 x 120cm
LB47_76+76+92+92
LB41_108+114
Kyle MorlandLB41_108+114, 2022
22 x 40 x 28cm
2:1 Pie-cut Study (XI)
FLATPATTERN-8-500
LB1x2
Kyle MorlandLB1x2, 2018
70 x 70 x 20cm
Introvert
Kyle MorlandIntrovert, 2024
175 x 20 x 20cm
Stacked facets I
Stacked facets II
Stacked facets III
Kyle MorlandStacked facets III, 2024
98 x 28.5 x 28.5cm
Stacked facets IV
Kwaai Lappies (I)
Kwaai Lappies (II)
Kwaai Lappies (III)
Winburg
Kyle MorlandWinburg, 2019
37.5 x 32.5cm
Newlands Forest
16 April
Kyle Morland16 April, 2024
37.5 x 32.5cm
Library of Forms
blank projects
Gallery
blank projects
Cape Town

Based in a 360 sqm gallery in Woodstock, Cape Town, blank was founded by Jonathan Garnham as a project space in 2005 and transitioned into a commercial gallery during 2012. The gallery represents emerging and increasingly established artists from the region in a critically engaged programme that emphasises contemporaneity, with a focus on concept and abstraction in the African context. With an exhibition programme that has a reputation for shaping the discourse around contemporary art in South(ern) Africa, and participation in prominent local and international art fairs, we seek to place our artists' work in a wide range of private and institutional collections. In addition, blank continues to promote the visual arts in our community through ongoing projects that support the sector. ...

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