Kyle Morland

Kwaai Lappies (II), 2024242 x 42 x 42cmPrice on Request

Details

MaterialGalleryLocation

plaster, pigment and mixed mediablank projectsCape Town

Description

Human-crafted. AI-refined.

This contemporary artwork features a striking, abstract composition of vibrant, overlapping shades of pink. The irregular, textured surface evokes a sense of movement and fluidity, achieved through the artist's skilled application of paint. While the subject matter is not immediately recognizable, the piece conveys a dreamlike, ethereal quality that invites the viewer to engage with the work on an emotional level. The artist's intentional use of color, form, and texture creates a visually captivating and thought-provoking piece that challenges the viewer's perception of materiality and art. ...

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Artist

Kyle Morland

1986 , South African

Kyle Morland is an interdisciplinary artist who primarily works with sculpture, photography, and video. His artistic practice revolves around the manipulation of materials and experimentation with form and spatial relationships. Morland creates his artwork while adhering to self-imposed formal constraints, such challenges he gives himself. His sculptures demonstrate a playful engagement with proportion, balance, and dimensionality. His continuously growing archive of photographs resonates within his sculptures as he borrows and stretches industrial materials, reimagining functional forms and structures. To produce his sculptures, Morland often creates functionless forms or "tools" in his studio, which often resembles an industrial workshop. Concealing the making of his large sculptures, Morland erases visible seams that once identified the parts as separate. This produces a gestalt sensation, that is juxtaposed by the laying bare of certain aspects of his systematic process, such as the installation of single units. Morland's work focus' on transitions, while referencing industry and the body, fragments and unity, process and play. ...

Kyle Morland: Artworks

Kyle MorlandBending line 46, 57, 68, 79, 90, 101, 112, 123 and 134 deg, bending angle 5 - 115 in 5 deg increments, 2016Price on Request

Kyle MorlandGlitch, 2016Price on Request

Kyle MorlandDouble Pun, 2015Price on Request

Kyle MorlandNude, 2016Price on Request

Kyle MorlandUntitled (Orange), 2013Price on Request

Kyle MorlandUntitled, 2015Price on Request

Kyle MorlandFalsework, 2012Price on Request

Kyle MorlandWrong Turn, 2019Price on Request

Kyle MorlandLB2AB, 2018Price on Request

Kyle MorlandBecause of You, 2021Price on Request

Kyle MorlandLB47_76+76+92+92, 2021Price on Request

Kyle MorlandLB41_108+114, 2022Price on Request

Kyle Morland2:1 Pie-cut Study (XI), 2018Price on Request

Kyle MorlandLibrary of forms (rotations), 2021Price on Request

Kyle MorlandFLATPATTERN-8-500, 2023Price on Request

Kyle MorlandLB1x2, 2018Price on Request

Kyle MorlandCascade, 2024Price on Request

Kyle MorlandCoalesced in stainless steel I, 2024Price on Request

Kyle MorlandCoalesced in stainless steel II, 2024Price on Request

Kyle MorlandCoalesced in stainless steel III, 2024Price on Request

Kyle MorlandIntrovert, 2024Price on Request

Kyle MorlandStacked facets I, 2024Price on Request

Kyle MorlandStacked facets II, 2024Price on Request

Kyle MorlandStacked facets III, 2024Price on Request

Kyle MorlandStacked facets IV, 2024Price on Request

Kyle MorlandKwaai Lappies (I), 2024Price on Request

Kyle MorlandKwaai Lappies (II), 2024Price on Request

Kyle MorlandKwaai Lappies (III), 202410000 EUR

Kyle MorlandCape Town from Darling Street, 2024850 EUR

Kyle MorlandWinburg, 2019850 EUR

Kyle MorlandNewlands Forest, 2024850 EUR

Kyle Morland16 April, 2024850 EUR

Kyle MorlandLibrary of Forms, 2021850 EUR

Gallery

blank projects

Cape Town

Based in a 360 sqm gallery in Woodstock, Cape Town, blank was founded by Jonathan Garnham as a project space in 2005 and transitioned into a commercial gallery during 2012. The gallery represents emerging and increasingly established artists from the region in a critically engaged programme that emphasises contemporaneity, with a focus on concept and abstraction in the African context. With an exhibition programme that has a reputation for shaping the discourse around contemporary art in South(ern) Africa, and participation in prominent local and international art fairs, we seek to place our artists' work in a wide range of private and institutional collections. In addition, blank continues to promote the visual arts in our community through ongoing projects that support the sector. ...