This contemporary artwork features a striking abstract composition of layered and fragmented shapes in shades of blue and gray. The use of collage and mixed media techniques creates a sense of depth and dynamism, with various textures and torn edges adding to the visual interest. The overall image evokes a sense of atmospheric and geological phenomena, with amorphous forms reminiscent of clouds, mountains, or glacial landscapes. The installation element on the floor, consisting of crumpled and discarded materials, further reinforces the conceptual themes of transience, decay, and the fragility of the natural world. The artist's intention appears to explore the relationship between the natural and the man-made, inviting the viewer to contemplate the complex interplay between these realms. ...
Lungiswa Gqunta’s practice uncovers and interrogates forms of colonial violence often located in the interstices; subtle and hidden, or structural and systematic. Gqunta deals with a broad and complex range of issues that have plagued post-Apartheid South Africa, such as gender-based violence and substance abuse. In her sculptures and installations, the artist generally works with found materials such as broken empty beer bottles, razor wire, petrol, torn bedsheets, concrete and wooden bed frames; the scattered detritus of a Port Elizabeth township, materials loaded with violent connotations. Another arm of Gqunta’s practice involves building intergenerational connections with other black women, as well as discussing methods of collective healing and resistance, the points at which these processes meet, and whether one can be found within the other. ...
