Mass Black Implosion (February Pieces, Cornelius Cardew), 201268 x 58.5cmSign in to view price
Details
Material
ink on archival facsimile of score
Description
Human-crafted. AI-refined.
This diptych artwork features a striking visual composition that captivates the viewer. The black-and-white prints display intricate, overlapping lines that radiate outwards from a central point, creating a sense of movement and energy. The geometric patterns and precise linework suggest a meticulous attention to detail and a strong technical mastery. The artwork appears to be a conceptual exploration of data and information, potentially referencing themes of interconnectedness, systems, or the complexities of modern life. The minimalist presentation and the artist's thoughtful approach invite the viewer to ponder the deeper meanings and interpretations behind this compelling contemporary work. ...
Marco Fusinato merges sound, gesture, and visual culture across installation, performance, drawing, and photography, creating works that confront perception and push the boundaries of abstraction. His work explores the intensity of noise and the boundaries between abstraction and representation, often creating immersive environments that challenge perception. He transforms musical and conceptual structures into dense visual compositions, condensing sound into form and questioning the relationship between music, image, and conceptual experience. His performance works further explore the physicality of sound, using actions such as striking purpose-built surfaces to generate intense sonic experiences that engage both body and perception. Through these approaches, Fusinato examines the sensory, psychological, and political dimensions of artistic practice. By blending visual and auditory strategies, he creates environments that provoke reflection on the materiality of sound, the dynamics of space, and the immersive potential of contemporary art, encouraging viewers to reconsider conventional boundaries and their own perceptual engagement. ...
