This triptych of artworks features a minimalist black and white aesthetic, with a series of hand-drawn maps or diagrams. The compositions are spare, with geometric shapes and lines forming a grid-like structure. The subject matter appears to be conceptual, with the maps or diagrams containing text and symbols that suggest complex systems or data. The artist's use of simple materials and techniques, combined with the abstract, diagrammatic nature of the work, suggests an interest in exploring ideas of mapping, information, and the visualization of knowledge. The overall effect is one of restraint and intellectual engagement, inviting the viewer to contemplate the relationship between form, content, and meaning. ...
Marco Fusinato merges sound, gesture, and visual culture across installation, performance, drawing, and photography, creating works that confront perception and push the boundaries of abstraction. His work explores the intensity of noise and the boundaries between abstraction and representation, often creating immersive environments that challenge perception. He transforms musical and conceptual structures into dense visual compositions, condensing sound into form and questioning the relationship between music, image, and conceptual experience. His performance works further explore the physicality of sound, using actions such as striking purpose-built surfaces to generate intense sonic experiences that engage both body and perception. Through these approaches, Fusinato examines the sensory, psychological, and political dimensions of artistic practice. By blending visual and auditory strategies, he creates environments that provoke reflection on the materiality of sound, the dynamics of space, and the immersive potential of contemporary art, encouraging viewers to reconsider conventional boundaries and their own perceptual engagement. ...
