This artwork appears to be a grid-like display of various alphanumeric codes, each housed within a small wooden frame. The colors used are primarily muted tones, with a predominant green background and the wooden frames providing a natural, earthy contrast. The overall composition creates a sense of order and organization, with the grid-like structure suggesting a systematic categorization or inventory system. The subject matter is rather abstract, though the use of alphanumeric codes may hint at a technological or industrial context. The artistic style is minimalist and functional, emphasizing the practical application of these coded elements. The context of this piece could suggest its use in a scientific, military, or industrial setting, where such identification systems are commonly employed. ...
Marcus Jefferson is a London-based artist whose work explores the complexities of identity shaped by class, race, and cultural contrast. Growing up in Queens Crescent, Camden, he experienced a mix of social worlds, using art as a tool to bridge these divides. His practice focuses on the realities of inner-city life—known as “Road”—examining how its struggles are both commodified and glamorised in mainstream culture. Jefferson combines humour and critique to reflect on this paradox, drawing on personal experience and the visual language of survival. Materials like cling film, plastic bags, and tin foil—objects associated with concealment and utility—are repurposed into formal art contexts, mimicking how elements of Road culture are packaged for public consumption. His work questions who gets to define value, visibility, and authenticity. ...
