Mid-City II
Mid-City II
Mid-City II
Mid-City II
Mid-City II

Mathis Altmann

Mid-City II, 2023145 x 70 x 60cmSign in to view price
Details
MaterialGallery
wood, metals, plastics, led-matrix panel, ink-jet prints, acrylic mirror, paint, airbrush, denim, leather video loop: 12:00 minFitzpatrick Gallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking juxtaposition of materials and technology. The vibrant, pixelated display on the screen contrasts with the rough, weathered wooden structure supporting it. The overall composition emphasizes the interplay between the digital and the physical, with the intricate electronic components housed within a seemingly fragile, makeshift frame. The artist's intention seems to be exploring the tension between the advanced technology and the humble, DIY-like construction, prompting viewers to consider the intersection of the digital and the analog in our rapidly evolving world. ...

Similar Artworks
Rekord
Jonas WeichselRekord, 2020
68 x 45cm
Finne
Jonas WeichselFinne, 2020
173 x 15 x 1.8cm
Bad Melon (Moldy Slice)
Kathleen RyanBad Melon (Moldy Slice), 2020
58.42 x 160.02 x 53.34cm
Fender
Jonas WeichselFender, 2021
168 x 33cm
Bad Cherries (Dimples)
Kathleen RyanBad Cherries (Dimples), 2020
81.28 x 55.88 x 33.02cm
Bad Cherry (The Pits)
Luxury is personal
Martine SymsLuxury is personal, 2021
84.14 x 62.87 x 3.81cm
Bad Lemon (Diane)
Kathleen RyanBad Lemon (Diane), 2020
47 x 48.3 x 43.2cm
Muva Gaia
Martine SymsMuva Gaia, 2021
84.14 x 62.87 x 3.81cm
When I met my first spiral
Diana
Kathleen RyanDiana, 2017
223.52 x 60.96 x 60.96cm
Untitled (Star Circle 3)
Fish Lamp
Calvin MarcusFish Lamp, 2020
250 x 70 x 40cm
Untitled
Puppies Puppies (Jade Guanaro Kuriki-Olivo)Untitled, 2024
7 x 6 x 2cm
Fossil Epizoon (dyrosaurus)
Max Hooper SchneiderFossil Epizoon (dyrosaurus), 2021
228.5 x 203 x 203cm
Untitled
Kaspar MüllerUntitled, 2024
70 x 70 x 50cm
Pavilion of the Present
Alice KönitzPavilion of the Present, 2018
439.42 x 482.6 x 482.6cm
Mathis Altmann
Artist
Mathis Altmann
B.1987

Mathis Altmann’s installations and sculptures show a strong socio-critical awareness, and his skillful use of assemblage and collage portrays an intricately complex world. Using consumer goods, waste, everyday objects, and building materials, he creates scenarios that expose the illusion of a glamorous and carefree world and invites the audience to see beyond the surface. Altmann explores themes such as abundance, consumption, disposability, functionality, and superficiality, with a focus on creative digital work in a globalized and accelerated urban environment. He uses fierce irony and targeted hybridization to satirize the need for idealization, even though his works are exemplary, as well as reflects on how humans tend to find patterns and order in everything, resulting in meaningful stories and information. ...

Mathis Altmann: Artworks
Idleness denied
Mathis AltmannIdleness denied, 2022
50 x 44 x 23cm
wedontwork
Mathis Altmannwedontwork, 2021
25 x 192 x 7cm
nowewont
Mathis Altmannnowewont, 2021
18 x 155 x 7cm
wewont
Mathis Altmannwewont, 2021
18 x 118 x 7cm
Less than zero
Wired & Stoned
C'mon Collapse
Not yet Titled
Mathis AltmannNot yet Titled, 2023
48 x 42.5 x 11cm
Mid-City II
Mathis AltmannMid-City II, 2023
145 x 70 x 60cm
Untitled
Mathis AltmannUntitled, 2023
48 x 42.5 x 11cm
Fitzpatrick Gallery

Established in 2020, Fitzpatrick Gallery is focused on an international program of curated projects in site-specific venues worldwide, and on-site exhibitions at their primary location in Paris, inaugurated in September 2021 in the Marais gallery district at 123 rue de Turenne. They are involved in every level of production with their represented artists, working in close collaboration with institutions, publishing houses, advisory firms, and other partners. Fitzpatrick Gallery builds on the legacy of Freedman Fitzpatrick which was established in 2013 with locations in Los Angeles and Paris. ...

Unlock Price & Inquiry Access