Miho Dohi's untitled piece features a vivid mix of teal, orange, and neutral tones in an abstract composition that suggests forms and gestures without clarity, framed by textured material. The subject matter remains enigmatic, with vague shapes resembling limbs and organic elements, inviting various interpretations. The style is abstract and experimental, employing a tactile, layered approach that blurs the boundaries between painting and sculpture. Rooted in Dohi's concept of “buttai,” this work challenges perceptions and encourages sensory engagement through its dynamic, unconventional structure. ...
Miho Dohi shapes enigmatic sculptural forms that exist between object and living entity, drawing viewers into a space where materiality and intuition intertwine. Working with brass, copper, wood, cloth, paper, and paint, she develops “buttai”—a concept she coined to describe creations that defy fixed interpretation. Her creative process is intuitive and experimental, beginning with materials that resonate with her. She cuts, bends, and assembles these elements into dynamic compositions that balance precariously yet harmoniously, constantly exploring new shapes and relationships. Compact and complex, her sculptures offer a rich interplay of textures and volumes, encouraging engagement from multiple perspectives. Through her “buttai,” Dohi redefines sculpture as both mysterious and accessible, creating objects that challenge traditional boundaries and invite sensory discovery. ...
Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...
