ML Poznanski

Untitled, 2019100 x 80cmPrice on Request

Details

MaterialGalleryLocation

oil on linenLo Brutto StahlParis

Description

Human-crafted. AI-refined.

This evocative painting features a striking use of contrasting colors and shapes. The central figure, rendered in dark, expressive tones, appears to be in a state of distress or vulnerability, with ghostly hands reaching down towards them. The overall composition conveys a sense of mystery and psychological tension, hinting at the inner turmoil or emotional experience of the subject. The artist's distinct style and skillful technique suggest a sophisticated exploration of the human condition and the complexities of the subconscious mind. ...

Similar Artworks

Betsy BradleyOctopus, 2021Price on Request

Phoebe Collings-JamesRelative Strength 2, 20185000 GBP

Jessie MakinsonRibs in ribbons, 2023Price on Request

Remi AjaniGolden hour, 20237000 GBP

Daisy CollingridgeColin, 202318000 GBP

Lou Lou SainsburyBody Diary 1231_183717 the first truth is in the earth and the body, 20231800 USD

Juno CalypsoAn Unnecessary And Excessive Display of Celebration, 20195688 GBP

Gabriele BeveridgeCoupling i, 2022Price on Request

Phoebe Collings-JamesThe Infidel, 202318000 GBP

Sophie RuigrokWaiting for you (Part five), 2022Price on Request

Betsy BradleyStarlight, 2022Price on Request

Artist

ML Poznanski

B.1984, British

ML Poznanski (b. 1984, Hull, UK) is an artist and clothesmaker based in Warsaw. She studied Fine Art at Central Saint Martins and Philosophy at Birkbeck, University of London. Poznanski is part of the collective Everyone Agrees who have published The Night & After The Night released by BookWorks. Her recent solo exhibitions include Children of Omerta, Lo Brutto Stahl, Paris (2023); A Missive for the Daffodils, Simo Bacar Gallery, Lisbon (2022); Stories Not Systems, Montague, London (2019). Group exhibitions include: Lo Brutto Stahl, Paris (2023); Cemetery of Splendor, Piktogram, Warsaw (2023); Palomar, Simo Bacar Gallery, Lisbon (2023); ZEIT, house of spouse, Vienna (2022); it could have been easy but it was still nice, Mother Culture, Berlin (2020); Fool's Prophecy, Icon Museum, Warsaw (2018); The Meeting of Failures, SPACE, London (2014); Performance with Resonance FM, Raven Row Gallery, London (2011). ...