The artwork features a striking use of muted colors, primarily blues and greens, creating a moody and pensive atmosphere. The prominent geometric shapes, triangles, and diagonal lines evoke a sense of tension and unease, drawing the viewer's attention to the two figures depicted. The style is reminiscent of Expressionism, with the distorted, almost fragmented, representation of the subjects adding to the emotional intensity of the piece. The artwork likely explores themes of human connection, isolation, or the complex dynamics within interpersonal relationships, reflecting the artist's unique perspective on the human experience. ...
ML Poznanski (b. 1984, Hull, UK) is an artist and clothesmaker based in Warsaw. She studied Fine Art at Central Saint Martins and Philosophy at Birkbeck, University of London. Poznanski is part of the collective Everyone Agrees who have published The Night & After The Night released by BookWorks. Her recent solo exhibitions include Children of Omerta, Lo Brutto Stahl, Paris (2023); A Missive for the Daffodils, Simo Bacar Gallery, Lisbon (2022); Stories Not Systems, Montague, London (2019). Group exhibitions include: Lo Brutto Stahl, Paris (2023); Cemetery of Splendor, Piktogram, Warsaw (2023); Palomar, Simo Bacar Gallery, Lisbon (2023); ZEIT, house of spouse, Vienna (2022); it could have been easy but it was still nice, Mother Culture, Berlin (2020); Fool's Prophecy, Icon Museum, Warsaw (2018); The Meeting of Failures, SPACE, London (2014); Performance with Resonance FM, Raven Row Gallery, London (2011). ...
