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Description
This minimalist artwork showcases a clean, serene composition. The color palette consists of muted tones of white and blue, creating a sense of tranquility. The large rectangular panels on the floor, arranged in a grid-like pattern, appear to be made of a reflective material, evoking a meditative atmosphere. The high-ceilinged, arched windows allow for abundant natural light, enhancing the ethereal ambiance of the piece. The artist's intention seems to be exploring the interplay between light, space, and materiality, inviting the viewer to engage in a contemplative experience within the gallery setting. ...
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Olga Balema
B.1984, Ukrainian/BritishOlga Balema’s artworks are an investigation of form. They are characterised by a tense relationship and contrasts in materiality, often comprising a hard framework with soft, fragile innards. Balema frequently employs latex which, especially in Bread for Life (2016), is held taut and barbed by jagged steel rods, or perhaps armatures, recalling Eva Hesse’s postminimalist practice and the slow sagging of the material over time. The notion of tension – perhaps most commonly, representations of the contrast between the hard bones of a human skeleton and the flesh that furnishes it – are further echoed in the rubber bands and shoelaces plotting a geometry across the gallery floor in brain damage (2019), the teetering globules of latex, moulded to look like breasts, protruding from the globe in 2016’s Globe, tacked on unsteadily, and the soft PVC sacks filled with steel rods and water, ready to burst, in Threat to Civilization 2 (2015). ...
Olga Balema: Artworks
Hannah Hoffman Gallery
Los AngelesHannah Hoffman, Los Angeles opened in May 2013. The gallery maintains a program of international contemporary artists alongside historical exhibitions with a particular focus on feminist and conceptual practices.