Computer

Olga Balema

Computer, 202142500 x 1000cmPrice on Request
Details
MaterialGalleryLocation
Mixed mediaCroy NielsenVienna
Description
Human-crafted. AI-refined.

This minimalist artwork showcases a clean, serene composition. The color palette consists of muted tones of white and blue, creating a sense of tranquility. The large rectangular panels on the floor, arranged in a grid-like pattern, appear to be made of a reflective material, evoking a meditative atmosphere. The high-ceilinged, arched windows allow for abundant natural light, enhancing the ethereal ambiance of the piece. The artist's intention seems to be exploring the interplay between light, space, and materiality, inviting the viewer to engage in a contemplative experience within the gallery setting. ...

Similar Artworks
Dismember
Nevine MahmoudDismember, 2018Price on Request
WASH FISH FACE
Juliana HuxtableWASH FISH FACE, 2023Price on Request
the marble fauna
Nevine Mahmoudthe marble fauna, 20219900 EUR
Do you have any film posters of ... BLACK MOVIES? He understands
Martine SymsDo you have any film posters of ... BLACK MOVIES? He understands, 202115000 USD
& Goats
Sophia Al Maria& Goats, 2021Price on Request
Colore (1782)
Rachel RoseColore (1782), 2022Price on Request
Tetrice
Sean SteadmanTetrice, 2023Price on Request
MON PIED (roof series)
Sarah LucasMON PIED (roof series), 1995Price on Request
O Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat
Jesse WineO Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat, 202440000 USD
Clay (Mushrooms)
Magali ReusClay (Mushrooms), 202155000 GBP
Untitled
Artist
Olga Balema
B.1984, Ukrainian/British

Olga Balema’s artworks are an investigation of form. They are characterised by a tense relationship and contrasts in materiality, often comprising a hard framework with soft, fragile innards. Balema frequently employs latex which, especially in Bread for Life (2016), is held taut and barbed by jagged steel rods, or perhaps armatures, recalling Eva Hesse’s postminimalist practice and the slow sagging of the material over time. The notion of tension – perhaps most commonly, representations of the contrast between the hard bones of a human skeleton and the flesh that furnishes it – are further echoed in the rubber bands and shoelaces plotting a geometry across the gallery floor in brain damage (2019), the teetering globules of latex, moulded to look like breasts, protruding from the globe in 2016’s Globe, tacked on unsteadily, and the soft PVC sacks filled with steel rods and water, ready to burst, in Threat to Civilization 2 (2015). ...

Olga Balema: Artworks
Gut feeling III
Olga BalemaGut feeling III, 2015Price on Request
Untitled
Olga BalemaUntitled, 2014Price on Request
Wild possession
Olga BalemaWild possession, 2015Price on Request
Untitled
Olga BalemaUntitled, 2013Price on Request
Computer
Olga BalemaComputer, 2021Price on Request
Serious topics
Olga BalemaSerious topics, 2015Price on Request
Threat to Civilization 2
Olga BalemaThreat to Civilization 2, 2015Price on Request
Threat to Civilization 1
Olga BalemaThreat to Civilization 1, 2015Price on Request
Analysis penetrates the surface
Olga BalemaAnalysis penetrates the surface, 2015Price on Request
Latest scientific research
Olga BalemaLatest scientific research, 2015Price on Request
Interior Biomorphic Attachment (5)
Olga BalemaInterior Biomorphic Attachment (5), 2014Price on Request
Interior Biomorphic Attachment
Olga BalemaInterior Biomorphic Attachment, 2016Price on Request
Interior Biomorphic Attachment
Olga BalemaInterior Biomorphic Attachment, 2016Price on Request
Globe
Olga BalemaGlobe, 2016Price on Request
Everybody and their mother
Olga BalemaEverybody and their mother, 2016Price on Request
Vorn der vorgeschichtlichen Zeit bis zum ende der Völkerwanderung
Olga BalemaVorn der vorgeschichtlichen Zeit bis zum ende der Völkerwanderung, 2016Price on Request
Our America Spread of Western Civilization
Olga BalemaOur America Spread of Western Civilization, 2016Price on Request
Motherfucker
Olga BalemaMotherfucker, 2016Price on Request
the gift of tears
Olga Balemathe gift of tears, 2017Price on Request
Appetite
Olga BalemaAppetite, 2017Price on Request
Floor
Olga BalemaFloor, 2019Price on Request
Leaf
Olga BalemaLeaf, 2019Price on Request
Croy Nielsen
Gallery
Croy Nielsen
Vienna

In 2016 Croy Nielsen moved from Berlin to Vienna, where it is located in the beletage apartment of a historical building in the 1st district. The gallery was founded by Oliver Croy (AT) and Henrikke Nielsen (DK). Artists such as Nina Beier, Marie Lund, and Benoît Maire, have been part of the program since its inception, and were later joined by Olga Balema, Georgia Gardner Gray, and Sandra Mujinga. Vienna-based artists include Ernst Yohji Jaeger, Joanna Woś, and Soshiro Matsubara. The gallery has strong ties to the Nordic region, representing several artists from the Scandinavian contries and regularly participating in fairs and projects in the area. ...