I'd rather stand

Olu Ogunnaike

I'd rather stand, 2022Price on Request
Details
Material
tulip, brown oak, horse chestnut, elm, cherry, black poplar, sycamore, ash, alder, walnut
Description
Human-crafted. AI-refined.

The artwork features a striking composition of stacked rectangular structures made entirely of compressed wood shavings or particles. The warm, earthy tones of the natural material create a visually captivating and textural surface that dominates the dark background. The stacked design and geometric forms suggest a sense of architecture or household structures, while the use of a raw, industrial material subverts expectations. The artist's intention may be to explore themes of material transformation, construction, and the interplay between the natural and the man-made within a contemporary sculptural context. ...

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Olu Ogunnaike
Artist
Olu Ogunnaike
1986 , British

Trees and wood are at the centre of Olu Ogunnaike’s artistic practice. For ‘London Plain’, the artist’s 2020 exhibition at Cell Project Space, London, he used London Plane trees – planted initially to remedy the smog and pollution in London during the Industrial Revolution, now felled to make way for new businesses and capitalist expansion – to line the floor of the gallery in parquet, a common feature of art museums and ornate spaces. In addition, Ogunnaike cast a crowbar in bronze and accompanied it with other tools, inviting visitors to participate in physical intervention and dismantling of the institution. This work delineated the artist’s interest in uncovering invisible lines of production, examining the nature of ‘uprootedness’, and investigating how our environments – such as the cities we occupy and their complex ecosystems – are intrinsic to both our sense of community and individual identity. ...

Olu Ogunnaike: Artworks
I'd rather stand
Olu OgunnaikeI'd rather stand, 2022Price on Request