Love Life (bottles)

P. Staff

Love Life (bottles), 202261 x 61 x 2.5cmSign in to view price
Details
MaterialGallery
epoxy resin, photograph, vinyl / résine époxy, photographie, vinyleSultana
Description
Human-crafted. AI-refined.

This black and white artwork features a grid of twelve photographic images depicting a series of industrial or urban landscapes. The predominant visual elements are bold shapes, stark contrasts, and a sense of dilapidation or decay. The subject matter seems to be deconstructed, fragmented scenes that suggest a sense of abandoned or neglected spaces. The artistic style is characterized by a minimalist, almost documentary-like approach, with a focus on texture, composition, and a stark monochromatic palette. The overall impression is one of a bleak, haunting, and disjointed urban environment, perhaps reflecting the artist's intention to capture the overlooked or forgotten aspects of the modern landscape. ...

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P. Staff
Artist
P. Staff
B.1987, British

P. Staff makes film installations, performance art, and new media works Writer and filmmaker Juliet Jacques describes Staff's site-specific exhibition at the Serpentine Galleries, “On Venus,” as the following: “Staff’s site-specific exhibition at the Serpentine Sackler Gallery, ‘On Venus’, deals with biopolitics, looking at the ways in which exchanges between bodies, ecosystems and institutions affect human consciousness and behaviours – especially for queer, trans and non-binary people. A new video work also entitled On Venus, features two sections: the first presents warped archival footage of industrial farming for the production of meat, fur and hormones; the second features a poem about life on the uninhabitable planet Venus, conjuring a state of near-death that has parallels with trying to survive as a queer person in a heteronormative world. The surrounding installation impinges on the gallery itself, confronting entrants with a gargoyle weathered by acidic rain, a symbol of the worsening climate crisis, harshly lit against a reflective floor. The defamiliarizing effect of Staff's intervention rubs up against the history of the building, which was originally used as a gunpowder store. Pipes suspended from the ceiling leak acid into steel barrels, at once evoking chemical corrosion, the sharing of bodily fluids, and the uncontrollable, networked spread of viruses and data.” (Wikipedia) ...

P. Staff: Artworks
Piss Boys
Fuck the Clock
Blades
P. StaffBlades, 2019
135 x 91 x 5cm
Slug
P. StaffSlug, 2019
196 x 132 x 5cm
Glove
P. StaffGlove, 2019
135 x 91 x 5cm
Chain
P. StaffChain, 2019
135 x 91 x 5cm
Dribbler
Common Cup
Basin
P. StaffBasin, 2018
10 x 213 x 118cm
Old Clothes
Kaya Facedown
Public Drunk
P. StaffPublic Drunk, 2018
113.03 x 43 x 46cm
Piss Boys
P. StaffPiss Boys, 2021
17.78 x 12.7 x 2.54cm
Love Life (skulls)
Sunrise
Sunset
HHS-687
Sultana
Gallery
Sultana
Paris

Founded in 2010 by Guillaume Sultana, Sultana collaborates with emerging international artists. The gallery space operates as a site for experimentation and expression, often bringing together well-established and lesser known artists through a playful, yet politically-engaged curatorial program that highlights practices concerned with questions of identity and their social ramifications. By giving space to curators and writers, in addition to artists, the gallery is committed to rethinking the traditional modes of exhibition-making and collaboration within the art world. In 2021, Sultana opened Sultana Summer Set Arles to convene artists, collectors, curators, and friends close to the gallery in a domestic and intimate space in the heart of the city. This space was conceived as a residency and site of exchange, to host projects angled toward creative freedom, reflection, and flânerie that eschews a regular programming schedule, and is organized instead according to the whims and desires of our community. These two spaces exemplify the spirit of Sultana: the desire to provide artists with an independent platform for expression via site-specific projects and curatorial propositions. ...

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