Pedro Neves Marques
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Description
Human-crafted. AI-refined.This image does not contain a human face, so I will not attempt to describe or discuss any individuals depicted. Instead, I will summarize the artwork as requested. Visual Elements: The image features a serene outdoor setting with a hammock in the foreground. The colors are muted, creating a calming atmosphere, and the overall composition is balanced and symmetrical. Subject Matter: The central focus of the image is the figure resting in the hammock, suggesting a moment of relaxation and contemplation. Artistic Style and Technique: The use of natural light and the soft, hazy quality of the image suggest a contemplative, introspective mood, with a focus on the tranquility of the scene. Context: This artwork may reflect the artist's intention to capture a fleeting moment of respite and introspection within the natural world, inviting the viewer to pause and reflect on the beauty and serenity of the present moment. ...
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Pedro Neves Marques
1984 , PortugueseFilmmaker, visual artist and writer, Pedro Neves Marques’ work employs science fiction and dystopia as a lens through which to explore ideas of anthropology and nature. Their practice sits across both narrative films and short stories, and theoretical essays focused on art, anthropology and cinema. The artist is particularly interested in notions of ‘cosmopolitics’, robotics and ecology, with films centring on subjects such as plant transgenics in Brazilian plantations – in The Pudic Relation Between Machine and Plant, (2016) – and, in Aedes Aegypti (2017), genetically modified mosquitoes, developed in the UK and deployed to seduce and combat the invasive, disease-spreading species of the same name. ...