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This contemporary artwork features a striking visual composition with a distinct black star-like shape at the top, followed by a hand-shaped silhouette in the middle, and a winged creature and a foot-like form at the bottom. The overall color palette is muted, with shades of black, gray, and white dominating the piece. The shapes and forms are bold and geometric, suggesting an abstract, almost surreal artistic style. The artwork seems to explore themes of the human body and its connection to natural or cosmic elements, hinting at a deeper symbolic or metaphorical meaning. The artist's intention behind this piece may be to engage the viewer in a contemplation of the relationship between the physical and the metaphysical realms. ...
Pierina Másquez unravels the hidden emotional and spatial histories embedded within everyday objects and materials, transforming them into evocative reflections on labor and identity. She works across installations, soft sculpture, ceramics, and drawing, investigating how labor leaves traces on both bodies and objects. Through her multidisciplinary approach, Másquez examines the complex relationships between work, gender, and identity, creating pieces that navigate the intimate and the political simultaneously. Her work often involves textiles, synthetic materials, and crafted objects that evoke personal and collective narratives, emphasizing the tactile and sensory qualities of materials. By weaving together references to local histories and everyday experiences, Másquez’s practice questions how memory is preserved and communicated through material forms. With a foundation in painting and contemporary artistic research, she engages in a continuous dialogue between traditional craft and conceptual inquiry. Her art invites reflection on the social dynamics of labor and the lived experiences of invisibility and care, highlighting overlooked stories and bodies. Through this sensitive yet critical lens, Másquez creates work that resonates with both personal introspection and broader cultural critique. ...