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"Devotee II" by Rachel Youn features a large, artificial monstera leaf connected to a mechanical device on a wooden floor, framed by ornate curtains and a window in the background. The installation combines vibrant green with the warm tones of wood and fabric, emphasizing a juxtaposition of natural and machine elements. Youn employs a playful yet poignant style, animating mundane objects into kinetic art that explores themes of care and connection. Rooted in immigrant experience and identity, the work reflects on the aspirations and failures of domestic objects in a uniquely choreographed manner. ...
Rachel Youn animates the forgotten and the overlooked, transforming objects steeped in history and emotion into kinetic sculptures and installations. Their work often begins with secondhand massage devices, baby rockers, or exercise machines—objects once meant to soothe or support the body. Through salvage and reinvention, Youn breathes new life into these forms, merging them with artificial plants and found materials to create hybrids that are at once clumsy, erotic, absurd, and tender. The resulting sculptures resonate with a strange choreography of care—mechanical and human, unsettling and humorous, poignant and playful all at once. Youn’s practice is rooted in personal and collective identity. Through their kinetic works, they reflect themes of aspiration, immigrant experience, and the bittersweet failures embedded in domestic objects. The sculptures—jittering, gyrating, seeking motion—channel queerness, cosmic loneliness, and the yearning for connection. Movement isn’t just form—it’s a metaphor for persistence, longing, and the fragility of hope. Their approach is both tactile and conceptual, mining suburban liminality and the promise—and failure—of household machines. Through witty choreography, Rachel Youn’s sculptures become emotional stand-ins: ersatz caretakers, awkward dancers, intimate companions in motion. ...