Autorretrato como Charles Cullen en su ba(era, rodeado por monxido de carbono, el 11 de enero del 2...

Rafael Mayu Nolte

Autorretrato como Charles Cullen en su ba(era, rodeado por monxido de carbono, el 11 de enero del 2000, 2021170 x 110cmSign in to view price
Details
Material
inkjet printing on cotton paper
Description
Human-crafted. AI-refined.

The image depicts an abstract, shadowy figure against a stark white background. The composition emphasizes the figure's silhouette, creating a striking and enigmatic visual. The use of high contrast and the lack of distinct details evoke a sense of mystery and ambiguity. The minimalist style and the simplified, almost amorphous form suggest an exploration of the human form and its representation. The contextual element implies that this artwork may be part of a conceptual or surrealist approach, inviting the viewer to contemplate the nature of perception and the human experience. ...

Similar Artworks
Cult Value
Xavier Robles De MedinaCult Value, 2019
38.5 x 30 x 11cm
Erotismo en Sarhua
Chute
Sergio VerasteguiChute, 2014
17 x 42 x 20.5cm
Turbine
Henry CurchodTurbine, 2023
200.7 x 170.2cm
Lucioles
Sweet Solitude
Autorretrato como Jack Unterweger, en su celda en la prisin de Graz Karlau, el 24 de junio de 1994
Artist
Rafael Mayu Nolte
B.1990, Peruvian

Rafael Mayu Nolte explores the boundaries between fiction, narrative, and visual art to investigate utopian ideas, identity, and collective memory. Through immersive and multifaceted projects, he employs speculative storytelling to challenge accepted perceptions and open up alternative ways of understanding reality. His artistic practice focuses on how narratives—both personal and cultural—shape and reflect social and political experiences. Nolte’s multidisciplinary approach blends visual art, installation, and text-based work, often blurring the lines between fact and fiction to create complex, layered environments. This blending invites viewers to engage with questions around history, power, and the construction of meaning. By combining conceptual frameworks with poetic imagery, his work functions as a platform for critical reflection and dialogue. Central to Nolte’s practice is the idea that storytelling is a transformative act capable of revealing hidden tensions between individual experience and collective histories. His art investigates the fluidity of identity and the possibilities of imagining different futures, positioning narrative as both a critical tool and a creative force. Through this, Nolte contributes to contemporary conversations about memory, representation, and cultural production. ...