Visual Elements: The artwork features a striking golden-hued, abstract form that appears to be a human ear. The image showcases a captivating interplay of light and shadow, highlighting the sculptural quality and metallic sheen of the form.
Subject Matter: The central focus of the piece is a single, oversized ear, which dominates the frame and draws the viewer's attention. The ear appears to be made of a reflective, metallic material, adding an intriguing and enigmatic quality to the subject matter.
Artistic Style and Technique: The work exhibits a bold, surrealistic style, with the exaggerated scale and material of the ear creating a sense of visual disruption. The use of lighting and shadow further enhances the sculptural and three-dimensional nature of the form.
Context: This contemporary artwork likely explores themes of perception, the senses, and the human condition. The artist's intention may be to prompt the viewer to consider the significance and symbolic meaning of the ear, as well as the relationship between form, function, and artistic interpretation. ...
Robert Brambora confronts the hidden machinery of neoliberal society, exposing how its relentless pressures twist the individual’s mind, body, and daily life through a sharply Marxist lens. His practice engages with the psychological and social consequences of contemporary life, addressing subjects such as precarious labor, school dropouts, stress-related illness, anxiety, loneliness, housing insecurity, and urban overcrowding. At its core, his work reflects on alienation—the disconnection from self and society—while also exploring how these conditions warp our experience of time, creating disorientation and a pervasive sense of lost bearings. Out of this turbulence, Brambora seeks to reveal a kind of waking hallucination, an oniric space where crisis and imagination intersect. His practice unfolds along two main trajectories. On one side, he employs traditional techniques, producing paintings and ceramics that give form to inner states of vulnerability and unease. On the other hand, he creates large-scale text panels, laser-engraved with overlapping fragments drawn from diverse sources: political commentary, online exchanges, financial discourse, medical research, and theoretical texts. By layering these excerpts into complex visual fields, Brambora constructs architectural-like compositions where language itself becomes material. These works reflect the overwhelming density of information in contemporary life, translating systemic pressures into poetic yet unsettling visual forms. ...
Sans titre is a gallery based in Paris. It initially operated as a project space and after three years of a nomadic existence (2016 – 2019) and numerous atypical spaces occupied (private apartments, industrial spaces, parking lots, a shipyard, a few hotel rooms, restaurants, etc.), Sans titre moved into a permanent address and embraced the gallery model. It is now located 13, rue Michel Le Comte, a few steps from the Centre Pompidou, in a former Restoration-era bar, whose facade is registered as a Historic Monument. Throughout, Sans titre works to promote international artists in the early stages of their careers. Alongside organizing exhibitions in a multidisciplinary approach, the gallery publishes fanzines, produces edition and creates events related to the represented artists. ...
