Santiago Evans Canales

Pareidolia* is always the origin point for Santiago’s works. In his latest series, colour becomes the foundation for form, space, mood, light and atmosphere in each work. The image is orchestrated through colour in a way that makes it familiar but eary. The pictures that the canvas depicts are quickly digested but create an emotional tension between the viewer and the painting. The relationship is more of a flirtation which you aren’t sure is reciprocated, than an obscenity that removes the “game” from the equation. Pareidolia, is a powerful tool for the creation of a painting, the purpose of this last series is for the viewer to have room to also use this tool themselves. *Pareidolia. is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one sees an object, pattern, or meaning where there is none. ...

The Galerie Derouillon, founded by Benjamin Derouillon, opened its doors in September 2012 at 38 rue Notre Dame de Nazareth in the Haut-Marais district, which is emerging as one of the new poles of contemporary art in Paris, with the desire to defend a young generation of French and international artists. The programme offers a singular vision of today's art in its diversity of modes of expression, with a particular emphasis on painting, sculpture and installations. The selection of artists has in common a demanding and playful work that breaks with established codes.