This contemporary artwork features a striking geometric pattern composed of bold shapes and lines in a muted color palette. The central motif is a prominent red cross-like symbol surrounded by an intricate maze-like arrangement of angles, triangles, and interconnected forms. The overall composition has a balanced and symmetrical structure, creating a sense of visual rhythm and dynamism. The artist's use of flat, geometric abstraction and the limited color scheme suggest a modernist or constructivist artistic style, potentially aiming to explore themes of order, complexity, and the interplay between positive and negative space. This piece likely reflects the artist's intention to create a visually engaging and thought-provoking work that invites the viewer to ponder the relationship between form, structure, and symbolism. ...
Sara Flores is one of the leading contemporary practitioners of the enigmatic visual language of kené design. Hailing from the Shipibo-Conibo communities of the Amazon rainforest of Peru, Flores' creative process adheres to the principles of a deeply ritualized artistic heritage, while exploring new grounds for post-colonial representation of Indigenous contemporary art. In a continuous interplay between tradition and innovation, the artist's creations serve as gateways to ancient knowledge systems and the complex realities of Indigenous existence, threatened by the impact of neocolonialism and globalization. ...
C L E A R I N G is a contemporary art gallery based in New York, Los Angeles and Brussels. The gallery was founded in 2011, with the focus of showing emerging art. It now represents over 20 living artists, providing many of them - such as Harold Ancart, Korakrit Arunanondchai, Chase Hall, Calvin Marcus and Marina Pinsky - with their first gallery exhibition. The gallery also represents the estates of Eduardo Paolozzi, Bruno Gironcoli and René Heyvaert. C L E A R I N G supports its artists by producing works, exhibitions and books, as well as working closely with public and private institutions. ...
