Sara Flores
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Description
Human-crafted. AI-refined.This abstract artwork features a complex geometric pattern composed of intersecting lines, shapes, and symbols. The predominant colors are black, white, and bold accents of yellow, creating a visually striking and dynamic composition. The intricate maze-like design evokes a sense of order and chaos, drawing the viewer's attention to the interplay of positive and negative space. The artist's distinctive style and technical precision in executing this piece suggest an exploration of themes related to systems, interconnectedness, and the balance between structure and fluidity. This work exemplifies the modernist aesthetic that was prevalent in contemporary art during the period in which it was created. ...
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Sara Flores
1950Sara Flores is one of the leading contemporary practitioners of the enigmatic visual language of kené design. Hailing from the Shipibo-Conibo communities of the Amazon rainforest of Peru, Flores' creative process adheres to the principles of a deeply ritualized artistic heritage, while exploring new grounds for post-colonial representation of Indigenous contemporary art. In a continuous interplay between tradition and innovation, the artist's creations serve as gateways to ancient knowledge systems and the complex realities of Indigenous existence, threatened by the impact of neocolonialism and globalization. ...
Sara Flores: Artworks
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New York City, Los Angeles, BrusselsC L E A R I N G is a contemporary art gallery based in New York, Los Angeles and Brussels. The gallery was founded in 2011, with the focus of showing emerging art. It now represents over 20 living artists, providing many of them - such as Harold Ancart, Korakrit Arunanondchai, Chase Hall, Calvin Marcus and Marina Pinsky - with their first gallery exhibition. The gallery also represents the estates of Eduardo Paolozzi, Bruno Gironcoli and René Heyvaert. C L E A R I N G supports its artists by producing works, exhibitions and books, as well as working closely with public and private institutions. ...