Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961

Sawangwongse Yawnghwe

Day trip at Southeast Asian Peninsular Games, Rangoon, 1961, 2022200 x 190cm17000 EUR
Details
Material
acrylic on linen
Description
Human-crafted. AI-refined.

The artwork depicts a group of indistinct human figures in a muted, hazy composition. The predominant colors are shades of grey and yellow, with a sense of movement and anonymity conveyed through the blurred, overlapping forms. The artistic style suggests an abstract, expressionistic approach, with the technique employing textured brushstrokes and a layered, atmospheric quality. The overall context and the artist's intention behind this piece may explore themes of collective identity, urban life, or the ephemeral nature of human experience. ...

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Sawangwongse Yawnghwe
Artist
Sawangwongse Yawnghwe
B.1971

Sawangwongse Yawnghwe is a Burmese painter who works with oils on linen, tenderly crafting intimate depictions of political moments within his nation’s history and present day. His family was exiled from Burma, modern day Myanmar, following the military coup of 1962. The artist now lives and works in the Netherlands. Throughout his life, Yawnghwe has collected photographs, portraits, archival images and newspaper clippings about Burma which he now uses as source material for his paintings. In muted, soft palettes the artist depicts images of traditionally dressed soldiers, family portraits, military parades, or vistas of landscapes untouched before war, all making space for a more personal read of his native country’s past and possible future. The artist cites his adoration for Miriam Cahn, which is seen through his gradual contours and hazy silhouettes. Yawnghwe also takes inspiration from modernist painters such as Barnett-Newman by incorporating bolder sections of colour. Patches of lavender or sunny yellow may sit in contrast with the more mellow, diluted oils used to render the initial image onto canvas. The resulting works are deeply impassioned and sensitive, they create space to mourn Burma’s tumultuous history and resemble this national turmoil on a personal scale, while remaining hopeful for potential resolutions. ...

Sawangwongse Yawnghwe: Artworks
The fountain at St.Agnes's Convent School
Sawangwongse YawnghweThe fountain at St.Agnes's Convent School, 202218000 EUR
Day trip at Southeast Asian Peninsular Games, Rangoon, 1961
Sawangwongse YawnghweDay trip at Southeast Asian Peninsular Games, Rangoon, 1961, 202217000 EUR
The Royal Wedding
Sawangwongse YawnghweThe Royal Wedding, 202210000 EUR
The People's Liberation Army of Manipur
Sawangwongse YawnghweThe People's Liberation Army of Manipur, 20216000 EUR
The Prince of Kengtung
Sawangwongse YawnghweThe Prince of Kengtung, 20223800 EUR