Sean Steadman
Details
Description
The artwork features a bold, abstract composition with a predominance of dark, geometric shapes contrasted against a vibrant green background. The central focus is a complex, fragmented form that resembles a mechanical or industrial object, with various circular and angular elements. The artist has employed a distinctive painterly technique, using thick, expressive brushstrokes to create a sense of movement and dynamism within the overall composition. The piece appears to be a representation of the intersection between the industrial and natural worlds, reflecting the artist's intention to explore the tensions and interplay between these realms. ...
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Sean Steadman
B.1989, BritishSean Steadman’s paintings depict constructed and intermingling shapes that appear mechanical, organic, structural and chaotic. They are abstract in their objectivity, however, to the question of “what is this?”, they propose answers full of subjective impressions. The insides of a human body or a machine, elements of a staircase or a spaceship, pores or gateways; whatever those spaces may be, they vividly swirl from inside out and vice versa. Steadman's work is hypnotic in its maze-like absence of beginning and end. The lack of centre or foundation directly affects the sense of orientation of the artist's audience. Thus, the distorted identification of the colourful and flowing logic of Steadman’s paintings reorients the focus directly onto the viewer, seducing them to test the limits of human perception. ...
Sean Steadman: Artworks
Project Native Informant
LondonContemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.