The artwork features a bold, abstract composition in black and white. The shapes and forms are simplified, creating a sense of geometric abstraction. The overall impression is one of industrial and mechanical elements, with various angular and angular shapes that suggest machinery or architectural structures. The artist has employed a distinctive cubist-inspired style, breaking down the subject matter into fragmented, overlapping planes. While the specific subject matter is not readily identifiable, the piece conveys a sense of modern industrialization and the dynamic energy of the urban landscape. The artist's intention seems to explore the relationship between humanity and the technological world. ...
Corvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, Lynette Yiadom-Boakye, Alvaro Barrington, Jennifer Packer, Brian Calvin, Tomoaki Suzuki and established international artists such as Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye. Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, Roger Hiorns in 2004 and 2015, The Commune Itself Becomes a Super State by Liam Gillick in 2007, Rachel Feinstein in 2007, and Richard Hawkins in 2009. ...
