CULTURAL CAPITAL COOPERATIVE OBJECT #1

Sidsel Meineche Hansen

CULTURAL CAPITAL COOPERATIVE OBJECT #1, 2016Price on Request
Details
Material
ceramic relief, mixed clay
Description
Human-crafted. AI-refined.

This contemporary artwork features a large, irregular composition composed of torn and crumpled black paper. The dominant monochrome palette creates a striking visual impact, with the jagged edges and overlapping layers adding a sense of depth and texture. The raw, abstract nature of the piece suggests a focus on materiality and the expressive potential of the medium. While the subject matter is not immediately recognizable, the artwork's powerful, emotive presence invites the viewer to engage with its tactile, evocative qualities. The artist's intention may have been to explore themes of fragmentation, impermanence, or the expressive capacity of seemingly mundane materials. ...

Similar Artworks
Flight Jacket
Juliana HuxtableFlight Jacket, 2017Price on Request
The Greenest Grass
Magali ReusThe Greenest Grass, 202126000 GBP
Crucifix Duo
Elaine Cameron-WeirCrucifix Duo, 202235000 USD
Ball Juice
Candice LinBall Juice, 202318000 USD
Adulteress
Jamie CreweAdulteress, 2017Price on Request
Flash s/s (Series)
Tenant Of CultureFlash s/s (Series), 2020Price on Request
Medicine man
Kudzanai-Violet HwamiMedicine man, 2019Price on Request
Waves/Pain/Tingling/Pleasure/Heaviness/Heat
Sara NaimWaves/Pain/Tingling/Pleasure/Heaviness/Heat, 20196000 USD
Crucifixes
Elaine Cameron-WeirCrucifixes, 202235000 USD
Lukes (Half Moon Sweat)
Magali ReusLukes (Half Moon Sweat), 2014Price on Request
Untitled
Juliana HuxtableUntitled, 2019Price on Request
The Roberta
Gina FischliThe Roberta, 201938000 CHF
Hook No.20
Artist
Sidsel Meineche Hansen
1981 , Danish

Sidsel Meineche Hansen’s work is a ‘techno-somatic variant of institutional critique, an examination of the body and the biopowers inscribed into and projected onto it. Meineche Hansen’s research picks away at the intersections that separate human bodies, surveillance and capital. A frequent focal point for the artist is the pornography industry and the ways in which the gender binary is propagated and proliferated by virtual adult entertainment. The materials used by Meineche Hansen to realise her outcomes, CGI animations, virtual reality, woodcut prints and sculpture, combine cutting edge technology with manual craft. Sculptures such as Public Sculpture (Everything is personal Data) (2019) appear in the space as physical manifestations, or the anachronistic detritus of the 3D modelled digital worlds the artist creates. ...

Sidsel Meineche Hansen: Artworks
DICKGIRL 3D(X)
Sidsel Meineche HansenDICKGIRL 3D(X), 2016Price on Request
CULTURAL CAPITAL COOPERATIVE OBJECT #1
Sidsel Meineche HansenCULTURAL CAPITAL COOPERATIVE OBJECT #1, 2016Price on Request
Hook No.20
Sidsel Meineche HansenHook No.20, 202413000 USD
Subscribe to our newsletter to stay notified.
Terms & ConditionsPrivacy PolicyInstagram