This abstract artwork features a bold and dynamic visual composition. The canvas is dominated by a striking pattern of black and white chevron-like shapes, creating a sense of movement and rhythm across the surface. The contrasting colors and the distorted, fragmented nature of the geometric forms suggest an emphasis on the interplay of light and shadow, as well as the exploration of the relationship between positive and negative space. The artwork's style and technique appear to be influenced by the principles of Op Art, with the aim of generating an optical illusion and evoking a sense of visual ambiguity. The overall effect is a visually captivating and thought-provoking piece that invites the viewer to engage with its intricate and mesmerizing design. ...
Simon Fujiwara’s work is intrinsically performative and interdisciplinary. His installations combine photography, film, painting, and sculpture, as he traverses his own personal biography in relation to wider thematics of history, memory, colonialism, and sexuality. The artist frequently draws on his mixed British and Japanese heritage and his experiences of living between Japan, Europe, and Africa as a child. This was an incredibly formative period for Fujiwara, as he was made aware of the hypocrisy and precarities which run throughout different cultures and the consequential similarities between different countries. With a degree in architecture, Fujiwara frequently includes these skills in his exhibitions. For example, in his ongoing project Welcome to the Hotel Munber (2006-), he built an elaborate set of his Family’s hotel and bar in 1970s Fascist Spain, reconfiguring it as an underground site for queer happenings. This piece has since been animated by performative lectures and publications, travelling to multiple locations in its nearly twenty-year history. Other durational pieces include his Who bear series (2020-), in which he created a cartoon character, a bear called “Who”, who tackles pressing questions concerning contemporary art institutions and broader issues of transnational politics. While existing in a distinctly tongue and cheek, absurdist arena, Fujiwara’s works continue to occupy a hard-hitting, darkly humorous space.
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Established in September 2017 in the heart of Itaewon, Seoul, P21 has been dedicated to presenting contemporary art of the 21st century. Unbound by medium or generation, the gallery has introduced a carefully curated selection of emerging and established artists from both Korea and abroad. Its program has centered on key themes such as the subversion of order, materiality, and artistic agency. With a growing focus on international engagement, P21 has actively explored the Korean diaspora while introducing leading global artists to the Korean audience through diverse and in-depth exhibitions and seeks to broaden the global reach of Korean artist. ...
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