Fabulous Beasts (Great depression mink)

Simon Fujiwara

Fabulous Beasts (Great depression mink), 2016150 x 100 x 2.3cmSign in to view price
Details
MaterialGallery
dyed artificial fur on wooden stretcherDvir Gallery
Description
Human-crafted. AI-refined.

This abstract artwork features a bold and dynamic visual composition. The canvas is dominated by a striking pattern of black and white chevron-like shapes, creating a sense of movement and rhythm across the surface. The contrasting colors and the distorted, fragmented nature of the geometric forms suggest an emphasis on the interplay of light and shadow, as well as the exploration of the relationship between positive and negative space. The artwork's style and technique appear to be influenced by the principles of Op Art, with the aim of generating an optical illusion and evoking a sense of visual ambiguity. The overall effect is a visually captivating and thought-provoking piece that invites the viewer to engage with its intricate and mesmerizing design. ...

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Untitled (Skull)
Simon Fujiwara
Artist
Simon Fujiwara
B.1982, British

Simon Fujiwara’s work is intrinsically performative and interdisciplinary. His installations combine photography, film, painting, and sculpture, as he traverses his own personal biography in relation to wider thematics of history, memory, colonialism, and sexuality. The artist frequently draws on his mixed British and Japanese heritage and his experiences of living between Japan, Europe, and Africa as a child. This was an incredibly formative period for Fujiwara, as he was made aware of the hypocrisy and precarities which run throughout different cultures and the consequential similarities between different countries. With a degree in architecture, Fujiwara frequently includes these skills in his exhibitions. For example, in his ongoing project Welcome to the Hotel Munber (2006-), he built an elaborate set of his Family’s hotel and bar in 1970s Fascist Spain, reconfiguring it as an underground site for queer happenings. This piece has since been animated by performative lectures and publications, travelling to multiple locations in its nearly twenty-year history. Other durational pieces include his Who bear series (2020-), in which he created a cartoon character, a bear called “Who”, who tackles pressing questions concerning contemporary art institutions and broader issues of transnational politics. While existing in a distinctly tongue and cheek, absurdist arena, Fujiwara’s works continue to occupy a hard-hitting, darkly humorous space. ...

Simon Fujiwara: Artworks
Ich (Trio Shorty)
Simon FujiwaraIch (Trio Shorty), 2015
45 x 69 x 44.5cm
Masks (Merkel)
Simon FujiwaraMasks (Merkel), 2015
62.5 x 105.4 x 4.5cm
Ambassadors
Simon FujiwaraAmbassadors, 2023
207 x 207 x 8.5cm
Who is le Désespéré?
Who are the Flowers? (S6)
Who are the flowers? (S14)
Who are the flowers? (S16)
Who Are the Flowers (S22)
Simon FujiwaraWho Are the Flowers (S22), 2023
173.5 x 173.5 x 7.5cm
Who is le Désespéré?
Who Porn? (Sexy Selfie)
Masks (Merkel F6.2)
Simon FujiwaraMasks (Merkel F6.2), 2016
140 x 120 x 5.3cm
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...

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