This artwork features a striking contrast between black and white, utilizing the visual elements of color and texture. The composition is dominated by soft, flowing white fur juxtaposed against a stark black backdrop, creating a powerful visual statement. The subject matter is simple yet captivating, drawing the viewer's attention to the inherent beauty and tactile qualities of the materials.
The artistic style is minimalist, with the artist employing a reductive approach that emphasizes the inherent properties of the materials. The use of fur, a natural and organic substance, combined with the sleek black panel, suggests a conceptual exploration of duality and the interplay between natural and artificial elements.
Contextually, this piece may be interpreted as a commentary on the tension between opposing forces, such as light and dark, soft and hard, or natural and artificial. The artist's intention seems to be evoking an emotive response from the viewer through the juxtaposition of these contrasting elements. ...
Victoria Gitman paints with oils to reproduce quintessentially feminine items such as costume jewellery, finely beaded clutches or more recently, faux fur bags. Gitman seeks out her subjects at flea markets and vintage sales, selecting alluring items which beckon tactile inspection. Back in the studio, Gitman replicates these items to scale with immense detail, giving each bead or strand of fur ample attention. The emphasis on touch and texture is irresistible when these works are seen in the flesh. Although thoroughly figurative, Gitman's paintings are often linked to the minimalist abstract traditions of the 1960s due to their simplicity.Gitman's work showcases an adoration for beauty and grandeur, with playful nods to the pomp and ceremony found in classical portraiture. However, in her pieces, a queen might be replaced with a necklace or a checkerboard fur bag. This subversive choice of subject matter affords Gitman’s work a somewhat playful quality, as she wrestles with ideas of femininity, dynasty and humour. ...
Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...
