Walter Robinson
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Human-crafted. AI-refined.This vibrant painting depicts a woman standing in an art studio, palette in hand, with a focused gaze directed at her canvas. The work showcases bold, expressive brushstrokes and a vibrant color palette, capturing the artist's engagement with the creative process. The subject's confident pose and determined expression suggest a narrative of female artistic empowerment, reflecting the artist's intention to celebrate the role of women in the art world during a time when their contributions were often overlooked. ...
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Walter Robinson
1950 , AmericanWalter Robinson began painting in New York during the late 70's, where he was associated with the Picture Generation and soon became a key figure on the local scene. He is also highly popular for his work as an editor and critic: he was the publisher of Art-Rite and then co-founded the Artnet magazine. As a critic, he originated in 2014 the term "zombie formalism" that fuelled many debates. A pioneer of the Picture Generation, Robinson painted nurses before Richard Prince and spin paintings before Damien Hirst. His work is almost exclusively figurative and consisting of appropriation of commercial images. One finds advertisements for Target, Land's End, and other cheap fashion catalogues (the Normcore series), images of romance novel covers (Romance series), and also pictures of food and pharmaceutical products (Still Lifes) Most of the images he diverts are ranging from materialistic desires represented by common consumer items (such as clothes, food, pharmaceutical products, banknotes), to very idealistic and paradigmatic desires found in advertising clichés displaying the playful happiness of the multicultural Western ideal. Robinson's tone, for instance when he speaks of consumerism as a perfect world, always seems ironic but never cynical.. ...