The artwork features an abstracted close-up view of a pair of hands, rendered in a vibrant color palette of warm and cool tones. The composition emphasizes the intertwining fingers, creating a sense of intimacy and connection. The brushstrokes and textured surface lend a sense of movement and expressiveness to the piece. The work explores themes of touch, vulnerability, and human relationships, reflecting the artist's intention to capture the emotional and physical connection between individuals. ...
Yuan Yuan (b.1984) currently lives and works in Beijing, China. She is best recognised for her large scale paintings of flowers. Via Yuan Yuan’s large scale paintings, the flower appear to be a non-subjective object. The blossom on the still-standing branches is held by feather-like green leaves, occupying the frame freely and at the same time extending outside the picture, as if the flower itself is already in self-actualisation at a majestic posture before the depiction.
Her recent exhibitions include: Contemporary Myths and Artifacts (Stockholm, 2023); Tabula Rasa: Unveiled, No.9 Cork Street (London, 2023); ART SG, Tabula Rasa Gallery (dual solo, Singapore, 2023); The Possibility of a Flower, Tabula Rasa Gallery (Beijing, 2022); The Logic of Painting, Xinjiang Art Museum (Urumqi, 2021); Animamix Biennial, 70 Years of Snoopy, Museum of Contemporary Art (Shanghai, 2020); Utopia / Dystopia, Dietz (Cologne, 2019); Shan Shui Within, Museum of Contemporary Art (Shanghai, 2016); China 8 Contemporary Art From China at Rhine & Ruhr, Osthaus (Hagen, 2015); and Curated by Yu Hong Pan Lin & Yuan Yuan: True False Objects, Ullens Center for Contemporary Art (Beijing, 2010).
Yuan Yuan graduated with a Master of Arts degree in Central Academy of Fine Arts.
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Tabula Rasa Gallery is based in Beijing's 798 art district. Established in 2015, it aims to promote both Chinese and international contemporary artists through exhibitions, talks, research and publication. The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from our experiences and education, all participants are born in a Tabula Rasa state. Tabula Rasa hopes that the exhibitions they present can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments. ...
