Stephanie Santana
Fractured self
Imagine yourself as a mosaic - each shard a memory, each fragment a story. Identity is fragmented, nonlinear, imperfect. Through collage, artists reassemble past and present into visual diaries, embracing the messiness of memory to reveal a self that is ever-evolving, resilient, and beautifully incomplete.
View SeriesStephanie Santana
Presenting Stephanie Santana, a textile and print artist who draws from African diasporic traditions, weaving together fragments of memory and history to challenge silences and rewrite forgotten stories.
Stephanie Santana’s textiles and prints are acts of quiet defiance—gathering memory, history, and myth into layered works that reclaim and reimagine. Rooted in African diasporic quiltmaking and inspired by artists like Betye Saar and Emma Amos, her practice honors Black women’s legacies of resistance and storytelling. Born in Los Angeles and based in Brooklyn, Santana builds her pieces from archival materials, paint, and print, creating tactile maps of identity and ancestral knowledge. Her art doesn’t just recall what’s been lost—it repairs, reclaims, and insists on new ways of knowing, where memory and selfhood remain alive, layered, and evolving.
Episode
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Safe Passage, 2024
"Safe Passage" weaves together printed images of jugs, archival portraits, and vibrant color blocks to create a quilt that feels both intimate and monumental. The repeated vessel motif evokes themes of care, containment, and survival, while the fragmented imagery of families suggests journeys—both physical and emotional. Santana continues to transform fabric into a map of resilience, offering a vision of how personal and collective histories are carried forward, piece by piece.
"I’ve always been fascinated with history, the passage of time, and ways to mark time. The first photographic print I made was of a photo that I love of my mom. Taking that small photo, scaling it up, and creating a very personal document feels like a way to preserve self and family. It feels far more permanent than the way many of us document our lives these days"
- Stephanie Santana, Blackcherry Mag
Exhibition: Ways Of Knowing, 2024
Solo Exhibition at The Print Center, Philadelphia
Exhibition: Ways Of Knowing, 2024
In Ways of Knowing, Stephanie Santana’s prints and constructed mixed-media textile works explore interior worlds, mythologies, navigational tools and resistance strategies of African diasporic origins. The works are part of a larger body called The Wayfinding Series, which Santana began in 2022 and describes as ‘honoring Black women as wayfinders, planners, strategists, timeline jumpers and archivists.’ With it, she endeavors to visualize and understand what her Black matriarchal ancestors experienced on an intuitive and emotional level, and examine how their concerns are relevant in the present day.
Santana’s process is one of discovery and deliberation. Over time, the artist has assembled a working archive comprising personal photographs of her own childhood and cherished women in her extended family, along with historical vernacular photographs of anonymous Black matriarchs. The same women appear multiple times within a single work and reappear across multiple pieces. The artist describes her decision-making process on materials and techniques to employ as a sequence of ‘responsive encounters’ with these photographs. The images are transferred and translated several times over; they are screenprinted and monoprinted onto fabric that is then reused numerous ways using traditional quilting techniques. To this, she adds hand-stitched embroidery, much like a series of visual annotations that directly engage with both the figures on the surface and the colorful abstract forms surrounding them.
Stephanie Santana's Studio views
"It’s been an incredible time testing of out ideas, bringing together a new body of work "
“The artist describes her decision-making process on materials and techniques to employ as a sequence of “responsive encounters” with these photographs. The images are transferred and translated several times over; they are screenprinted and monoprinted onto fabric that is then reused in numerous ways using traditional quilting techniques.”
- Lauren Rosenblum, Jensen Bryan Curator
Exhibition: Call & Response, 2025
Installation view: Call & Response. A.I.R. Gallery, Brooklyn, NY. 2025.
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