"A touch in which we keep the living" by Manon Wertenbroek features a vertical, rectangular form in muted tones of gray and green with subtle textures and indents. Its lack of defined shape invites a contemplation of abstract, disembodied forms, suggesting a body without explicit outline. The use of unconventional materials speaks to Wertenbroek's ongoing exploration of physicality and boundary. This sculpture explores the theme of skin as both a protective and permeable layer, reflecting the artist's interest in the intersection of sentimentality and eroticism. ...
Through the artist's material explorations, Manon Wertenbroek examines the definition of a physical form and its limits, as well as what lies beyond the skin as an envelope. In so doing, she explores the duality of skin as an element that is both singular and relational, protective and permeable. Wertenbroek is always looking for materials and ways to cross the line between sentimentality and eroticism, using materials such as latex, leather, metal clasps, lights, and piercings. Her sculptures are often disembodied, suggesting bodies without taking on volume or form. In 2017, Wertenbroek received the Swiss Art Award from the Federal Office of Culture. ...
