Noise Annoys
Noise Annoys

Adam McEwen

Noise Annoys, 2018144.15 x 182.88cmSign in to view price
Details
MaterialGallery
inkjet printing on cellulose sponge, graphiteGalerie Art : Concept
Description
Human-crafted. AI-refined.

The striking black and white photograph depicts a surreal and otherworldly landscape, with jagged, snow-capped mountains rising from a turbulent sea. The stark composition highlights the dramatic interplay of light and shadow, creating a sense of mystery and grandeur. The inclusion of a simple, geometric shape, reminiscent of a gear or cog, provides a subtle hint of the artist's intention to juxtapose the natural and the artificial, inviting the viewer to consider the relationship between humanity and the natural world. This thought-provoking work epitomizes the experimental and conceptual nature of contemporary art. ...

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Adam McEwen
Artist
Adam McEwen
B.1965, British

Adam McEwen was born in London and lives and works in New York. The artist moves freely between the disciplines of painting, sculpture and installation. He is well known for his lifesized graphite sculptures of such familiar consumer objects as an ATM, a water fountain or a credit card, his Bomber Harris series – monochromatic paintings covered with chewed gums – and his prints on sponges claim both archival aspect and nostalgic imagery, creating a strange mix of historical gaze and subjective feelings. His compositions with three-dimensional objects tend to trigger a psychological unease, or to write a narrative which is uncontrolled and defined by the viewer, not unlike montage. ...

Adam McEwen: Artworks
Holland Tunnel (Yellow)
Phantom Limb
Adam McEwenPhantom Limb, 2017
144.15 x 182.88 x 10.16cm
Mistress and Slave
Adam McEwenMistress and Slave, 2017
144.15 x 224.16 x 6.98cm
Untitled
Adam McEwenUntitled, 2014
91.44 x 68.58cm
Untitled
Adam McEwenUntitled, 2014
91.44 x 68.58 x 5.08cm
Noise Annoys
Adam McEwenNoise Annoys, 2018
144.15 x 182.88cm
Blank Expression
Battery Tunnel two pipes
Galerie Art : Concept

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...

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