The models Revenge II

Alexis Hunter

The models Revenge II, 197450 x 61cmPrice on Request
Details
Material
silver gelatin prints
Description
Human-crafted. AI-refined.

The black-and-white photograph captures hands grasping a woman's thighs, hinting at an intimate or sensual context. The image is stark and minimalist, focusing on the interplay of hands and body. The artist employs a distinctive style, using sharp contrasts and angles to create a visually striking composition. This provocative work may explore themes of desire, power dynamics, or the human form, reflecting the artist's intention to evoke an emotional response from the viewer. ...

Similar Artworks
Drained Ⅱ
Ellen Pau 鮑譪倫Drained Ⅱ, 1989Price on Request
MON PIED (roof series)
Sarah LucasMON PIED (roof series), 1995Price on Request
Trocheras con pretal
Teresa MargollesTrocheras con pretal, 2019Price on Request
SEX BOMB
Sarah LucasSEX BOMB, 2022Price on Request
untitled 2020 (black flag no. 3, new york times, march 8/26 2018)
Rirkrit Tiravanijauntitled 2020 (black flag no. 3, new york times, march 8/26 2018), 2020Price on Request
Spiral Nebula (Large)
Kiki SmithSpiral Nebula (Large), 2017Price on Request
Final Articulation of Origins
SturtevantFinal Articulation of Origins, 199950000 EUR
Fear of a Karen Black Planet
Kembra PfahlerFear of a Karen Black Planet, 199415000 USD
Untitled (Healing Devices)
Huda LutfiUntitled (Healing Devices), 20194400 EUR
The Great Movement: Red Stock 大運動之紅籌
Ellen Pau 鮑譪倫The Great Movement: Red Stock 大運動之紅籌, 1997Price on Request
Through the Glass
Penny SlingerThrough the Glass, 1970Price on Request
Alexis Hunter
Artist
Alexis Hunter
B.1948, New Zealand

Alexis Hunter used photography as a means of weaponizing feminist theory, critiquing and subverting the objectification of the female body and radically reappropriating it as a site for political activism. Hunter often depicted male bodies in the same manner as sexist depictions of women in advertising and media in the 1970s, and pioneered a technique of photographic sequential narrative, using photographs and text to make radical, provocative storyboards. Through gender roleplay and the use of fetishised objects as props, Hunter disrupted normative, entrenched dynamics of power and challenged the exploitation of gender stereotypes aimed at generating profit, a symptom of consumer capitalism. As well as displaying a legacy of radical feminism and its evolutions, viewing Hunter’s work today shows the artist’s anger, bravery and innovation in the face of a misogynistic society. ...

Alexis Hunter: Artworks
Suffragette
Alexis HunterSuffragette, 1968Price on Request
The Media
Alexis HunterThe Media, 1968Price on Request
Sexual Warfare
Alexis HunterSexual Warfare, 1973Price on Request
Approach to Fear: Voyeurism
Alexis HunterApproach to Fear: Voyeurism, 1973Price on Request
The models Revenge II
Alexis HunterThe models Revenge II, 1974Price on Request
The models Revenge III
Alexis HunterThe models Revenge III, 1974Price on Request
The models Revenge I
Alexis HunterThe models Revenge I, 1974Price on Request
Sexual Warfare
Alexis HunterSexual Warfare, 1975Price on Request
Approach to Fear: Violence Identity with Aggressor
Alexis HunterApproach to Fear: Violence Identity with Aggressor, 1976Price on Request
Approach to Fear: Masculinisation of Society Exorcise
Alexis HunterApproach to Fear: Masculinisation of Society Exorcise, 1977Price on Request
Self portrait
Alexis HunterSelf portrait, 1977Price on Request
The Marxist Wife (still does the housewife)
Alexis HunterThe Marxist Wife (still does the housewife), 1978Price on Request
Dialogue with a Rapist
Alexis HunterDialogue with a Rapist, 1978Price on Request
Domestic Warfare
Alexis HunterDomestic Warfare, 1979Price on Request
To Silent Women (Alone We Failed)
Alexis HunterTo Silent Women (Alone We Failed), 1981Price on Request
Tits and Bums
Alexis HunterTits and Bums, 1986Price on Request
Subscribe to our newsletter to stay notified.
Terms & ConditionsPrivacy PolicyInstagram