Tits and Bums

Alexis Hunter

Tits and Bums, 198629 x 20cmPrice on Request
Details
Material
ink and photo collage on paper
Description
Human-crafted. AI-refined.

The artwork features a collage of three black and white photographs depicting nude female figures, framed by handwritten text. The visual elements include stark contrasts between the light and dark tones, with the figures prominently positioned in the center. The subject matter explores the human form, while the artistic style blends photographic and textual elements in an abstract, conceptual manner. Contextually, the piece may address themes of objectification, gender, and the relationship between text and image in contemporary art. ...

Similar Artworks
MON PIED (roof series)
Sarah LucasMON PIED (roof series), 1995Price on Request
#41
Huda Lutfi#41, 2018900 USD
Fear of a Karen Black Planet
Kembra PfahlerFear of a Karen Black Planet, 199415000 USD
Isis Water
Kembra PfahlerIsis Water, 199815000 USD
Make a monkey out of clay
Rirkrit TiravanijaMake a monkey out of clay, 2011Price on Request
Final Articulation of Origins
SturtevantFinal Articulation of Origins, 199950000 EUR
Ajuste de cuentas
Teresa MargollesAjuste de cuentas, 200945000 EUR
Girls of Al-Sayyida (2)
Huda LutfiGirls of Al-Sayyida (2), 20106500 USD
The Great Movement: Red Stock 大運動之紅籌
Ellen Pau 鮑譪倫The Great Movement: Red Stock 大運動之紅籌, 1997Price on Request
Through the Glass
Penny SlingerThrough the Glass, 1970Price on Request
Spiral Nebula (Large)
Kiki SmithSpiral Nebula (Large), 201785000 USD
SEX BOMB
Sarah LucasSEX BOMB, 2022Price on Request
Alexis Hunter
Artist
Alexis Hunter
1948 , New Zealand

Alexis Hunter used photography as a means of weaponizing feminist theory, critiquing and subverting the objectification of the female body and radically reappropriating it as a site for political activism. Hunter often depicted male bodies in the same manner as sexist depictions of women in advertising and media in the 1970s, and pioneered a technique of photographic sequential narrative, using photographs and text to make radical, provocative storyboards. Through gender roleplay and the use of fetishised objects as props, Hunter disrupted normative, entrenched dynamics of power and challenged the exploitation of gender stereotypes aimed at generating profit, a symptom of consumer capitalism. As well as displaying a legacy of radical feminism and its evolutions, viewing Hunter’s work today shows the artist’s anger, bravery and innovation in the face of a misogynistic society. ...

Alexis Hunter: Artworks
Suffragette
Alexis HunterSuffragette, 1968Price on Request
The Media
Alexis HunterThe Media, 1968Price on Request
Sexual Warfare
Alexis HunterSexual Warfare, 1973Price on Request
Approach to Fear: Voyeurism
Alexis HunterApproach to Fear: Voyeurism, 1973Price on Request
The models Revenge II
Alexis HunterThe models Revenge II, 1974Price on Request
The models Revenge III
Alexis HunterThe models Revenge III, 1974Price on Request
The models Revenge I
Alexis HunterThe models Revenge I, 1974Price on Request
Sexual Warfare
Alexis HunterSexual Warfare, 1975Price on Request
Approach to Fear: Violence Identity with Aggressor
Alexis HunterApproach to Fear: Violence Identity with Aggressor, 1976Price on Request
Approach to Fear: Masculinisation of Society Exorcise
Alexis HunterApproach to Fear: Masculinisation of Society Exorcise, 1977Price on Request
Self portrait
Alexis HunterSelf portrait, 1977Price on Request
The Marxist Wife (still does the housewife)
Alexis HunterThe Marxist Wife (still does the housewife), 1978Price on Request
Dialogue with a Rapist
Alexis HunterDialogue with a Rapist, 1978Price on Request
Domestic Warfare
Alexis HunterDomestic Warfare, 1979Price on Request
To Silent Women (Alone We Failed)
Alexis HunterTo Silent Women (Alone We Failed), 1981Price on Request
Tits and Bums
Alexis HunterTits and Bums, 1986Price on Request