Suffragette

Alexis Hunter

Suffragette, 196822 x 38cmSign in to view price
Details
Material
hand-coloured xerox mounted on paper
Description
Human-crafted. AI-refined.

This contemporary artwork features a vibrant and whimsical depiction of street protesters in a cityscape. The composition uses a mix of media, combining a black-and-white photographic base with colorful, expressive hand-drawn elements overlaid on the image. The protesters are portrayed in bold, stylized costumes and poses, conveying a sense of energy and social activism. The artist's distinctive technique blends photorealistic and expressionistic styles, creating a visually striking and thought-provoking piece that likely reflects the sociopolitical climate of its time. ...

Similar Artworks
Isis Water
Kembra Pfahler
Isis Water, 1998
73.5 x 58 x 3.2cm
The Great Movement: Red Stock 大運動之紅籌
Ellen Pau 鮑譪倫
The Great Movement: Red Stock 大運動之紅籌, 1997
Butt Print Calling Mr Twilight VII (red, green, black)
Kembra Pfahler
Butt Print Calling Mr Twilight VII (red, green, black), 2019
76.5 x 57cm
Video is a Hole 錄像肚臍
Ellen Pau 鮑譪倫
Video is a Hole 錄像肚臍, 1990
Girls of Al-Sayyida (2)
Huda Lutfi
Girls of Al-Sayyida (2), 2010
50 x 70cm
Final Articulation of Origins
Sturtevant
Final Articulation of Origins, 1999
liebenmussen
Miriam Cahn
liebenmussen, 2018
46 x 57cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Under Lock and Key
Penny Slinger
Under Lock and Key, 1970
32.4 x 48.3cm
MON PIED (roof series)
Sarah Lucas
MON PIED (roof series), 1995
151 x 101.6 x 6cm
untitled 2020 (black flag no. 3, new york times, march 8/26 2018)
Rirkrit Tiravanija
untitled 2020 (black flag no. 3, new york times, march 8/26 2018), 2020
222 x 364cm
Alexis Hunter
Artist
Alexis Hunter
B.1948, New Zealand

Alexis Hunter used photography as a means of weaponizing feminist theory, critiquing and subverting the objectification of the female body and radically reappropriating it as a site for political activism. Hunter often depicted male bodies in the same manner as sexist depictions of women in advertising and media in the 1970s, and pioneered a technique of photographic sequential narrative, using photographs and text to make radical, provocative storyboards. Through gender roleplay and the use of fetishised objects as props, Hunter disrupted normative, entrenched dynamics of power and challenged the exploitation of gender stereotypes aimed at generating profit, a symptom of consumer capitalism. As well as displaying a legacy of radical feminism and its evolutions, viewing Hunter’s work today shows the artist’s anger, bravery and innovation in the face of a misogynistic society. ...

Alexis Hunter: Artworks
Suffragette
Alexis Hunter
Suffragette, 1968
22 x 38cm
The Media
Alexis Hunter
The Media, 1968
46 x 36cm
Sexual Warfare
Alexis Hunter
Sexual Warfare, 1973
42 x 59cm
Approach to Fear: Voyeurism
Alexis Hunter
Approach to Fear: Voyeurism, 1973
44 x 38cm
The models Revenge II
Alexis Hunter
The models Revenge II, 1974
50 x 61cm
The models Revenge III
Alexis Hunter
The models Revenge III, 1974
50 x 61cm
The models Revenge I
Alexis Hunter
The models Revenge I, 1974
50 x 61cm
Sexual Warfare
Alexis Hunter
Sexual Warfare, 1975
59 x 49cm
Approach to Fear: Violence Identity with Aggressor
Alexis Hunter
Approach to Fear: Violence Identity with Aggressor, 1976
100 x 41.5cm
Approach to Fear: Masculinisation of Society Exorcise
Alexis Hunter
Approach to Fear: Masculinisation of Society Exorcise, 1977
25 x 101cm
Self portrait
Alexis Hunter
Self portrait, 1977
61 x 30cm
The Marxist Wife (still does the housewife)
Alexis Hunter
The Marxist Wife (still does the housewife), 1978
109.5 x 36cm
Dialogue with a Rapist
Alexis Hunter
Dialogue with a Rapist, 1978
41 x 36.2cm
Domestic Warfare
Alexis Hunter
Domestic Warfare, 1979
20.3 x 25.4cm
To Silent Women (Alone We Failed)
Alexis Hunter
To Silent Women (Alone We Failed), 1981
21 x 29cm
Tits and Bums
Alexis Hunter
Tits and Bums, 1986
29 x 20cm
Unlock Price & Inquiry Access