This abstract artwork features bold, geometric shapes and vibrant colors. The composition is dominated by shades of blue, with contrasting red, yellow, and green accents. The use of clean lines, angular forms, and a flattened, two-dimensional perspective suggests the artist's adoption of a Cubist or Constructivist style. The overall impression is one of dynamic balance and harmonious interplay between the various elements. While the subject matter is not immediately recognizable, the piece conveys a sense of architectural forms and industrial structures, hinting at the artist's interest in the built environment and modern aesthetics. ...
Having had her first solo exhibition at Marlborough Gallery, New York, in 1977, she went on to have many solo shows in NYC, at Marlborough and at Tibor de Nagy and throughout the United States over more than 40 years, with her most recent solo show at Hollybush Gardens, London (2023). Sultan’s work has been included in numerous group shows including many at museums such as the National Museum of Women in the Arts, the Philbrook Museum of Art, the Hood Museum, the Fleming Museum, the San Francisco Museum of Art, and the Boston Museum of Fine Arts. Awards include two National Endowment for the Arts grants, an Academy Award in Art from the American Academy, and a medal for painting from the National Academy of Design, where she was elected a member in 1995. Her work can be found in the collections of the Metropolitan Museum of Art in New York: the Museum of Fine Arts, Boston; the National Gallery of Australia, Canberra; the Yale University Art Gallery; the Library of Congress; and the Fleming Museum of the University of Vermont. ...
Chris Sharp Gallery opened in Los Angeles in January 2021. Founded by writer, curator and co-founder of Lulu, Mexico City, Chris Sharp, the gallery is focused on a mixture of emerging, mid-career and overlooked or historically neglected artists. With a strong core of artists based in LA, the gallery also represents a number of positions on the East Coast, the UK, and Europe.
The intention of the program is to present fully-integrated practices which think plastically— practices in which politics and ideas are indivisible from materials and form.The personal and the idiosyncratic hold a privileged place in the gallery’s aesthetics, while humor (the weirder, the better) and craft are crucial to its quiddity, all of which tends to be conveyed with a certain spatial elegance which seeks to foreground every work of art as the humble miracle that it is. ...
