The apprentice
The apprentice
The apprentice
The apprentice
The apprentice

Bendt Eyckermans

The apprentice, 2024160 x 141 x 2.5cmSign in to view price
Details
MaterialGallery
oil on linenCarlos/Ishikawa
Description
Human-crafted. AI-refined.

The painting features a dark, brooding composition with bold, expressive brushstrokes. It depicts a pair of dancers in motion, their bodies conveying a sense of tension and energy. The use of a rich, warm color palette and the dramatic, almost theatrical lighting create an atmosphere of intensity and emotional resonance. This work exemplifies the artist's distinctive style, blending realism with expressionistic elements to capture the visceral essence of the performance. The artwork likely explores themes of movement, passion, and the human experience, reflecting the artist's unique perspective and artistic vision. ...

Similar Artworks
Avant-garde Is the French for Bullshit
Koenraad Dedobbeleer
Avant-garde Is the French for Bullshit, 2022
74cm ⌀30cm
A Society that Believes Commerce Is Virtue
Koenraad Dedobbeleer
A Society that Believes Commerce Is Virtue, 2020
137.16 x 19.05 x 24.13cm
Wrist Flick Obfuscations
Tosh Basco
Wrist Flick Obfuscations, 2018
92 x 67.5 x 2cm
Experimentation Is Considered Profligate, Decadent and a Distraction
Koenraad Dedobbeleer
Experimentation Is Considered Profligate, Decadent and a Distraction, 2022
67 x 33 x 33cm
Impatient at Mankind’s Failure to Perfect Itself Overnight
Koenraad Dedobbeleer
Impatient at Mankind’s Failure to Perfect Itself Overnight, 2022
104cm ⌀50cm
Still life ?
Tosh Basco
Still life ?, 2021
32.5 x 42.6 x 3.3cm
Dolphin Sculpture
Cui Jie 崔洁
Dolphin Sculpture, 2021
210 x 250cm
Hydraulic Masc 1
Yong Xiang Li
Hydraulic Masc 1, 2021
240 x 120 x 52cm
Poème liminaire
A stage
Tosh Basco
A stage, 2021
42.6 x 32.5 x 3.3cm
January 8 Baxter St
Sayre Gomez
January 8 Baxter St, 2025
91.5 x 91.5cm
What Is Manipulated Is the Real Rather Than the Symbolic – Made in China
Koenraad Dedobbeleer
What Is Manipulated Is the Real Rather Than the Symbolic – Made in China, 2019
200.02 x 299.72 x 59.69cm
Shanghai Federation of Industry & Commerce Building
Cui Jie 崔洁
Shanghai Federation of Industry & Commerce Building, 2021
220 x 180cm
Autumn Reputation
Evelyn Taocheng Wang 王伊芙苓韜程
Autumn Reputation, 2023
200 x 200 x 2.5cm
Sparrow sings new song
Rindon Johnson
Sparrow sings new song, 2021
20 x 23cm
Ancestral Muse IV
Paul Maheke
Ancestral Muse IV, 2023
93 x 68 x 4.5cm
Untitled
Bendt Eyckermans
Artist
Bendt Eyckermans
B.1994, Belgian

Coming from five generations of sculptors based and working in Antwerp, Bendt Eyckermans creates figurative paintings that are at once personal and historically critical. Like Hitchock film scenes, his works are characterised by contradictions and tensions, where tenderness meets aggression, hyperrealist imagery meets cartoonish fragments. With all his characters being his real-life friends, Eyckermans treats the process of painting as his way of processing his life and occurrences he finds himself in. At the same time, his practice makes a critical reference to a complex European colonialiasm entrenched in the history of art. The mysterious atmosphere of his works is accentuated by the use of dark colours, contrasts and unexpected perspectives. Eyckermans’s practice creates an uncanny juxtaposition between mundane, meticulously painted elements, such as peebles, driveways, cards, and his eerie subjects who appear to exist in a determined youth, while also being trapped in a self-aware Western existence. ...

Bendt Eyckermans: Artworks
When the leaves began to turn
Bendt Eyckermans
When the leaves began to turn, 2019
170 x 150cm
A touch
Bendt Eyckermans
A touch, 2020
60 x 50 x 2.5cm
De assemblage
Bendt Eyckermans
De assemblage, 2021
120 x 100 x 2.5cm
De kariatide
Bendt Eyckermans
De kariatide, 2021
44 x 32 x 2.5cm
De transitie
Bendt Eyckermans
De transitie, 2020
189 x 159 x 2.5cm
Het masker
Bendt Eyckermans
Het masker, 2020
186 x 154 x 2.5cm
In de schaduw van zijn bestaan
Bendt Eyckermans
In de schaduw van zijn bestaan, 2019
32 x 21cm
Ochtendster
Bendt Eyckermans
Ochtendster, 2019
183 x 146 x 2.5cm
Red hands
The passage
Bendt Eyckermans
The passage, 2020
196 x 177 x 2.5cm
The pedestal
Bendt Eyckermans
The pedestal, 2021
187 x 149 x 2.5cm
Through scaffolds and constructs
Bendt Eyckermans
Through scaffolds and constructs, 2023
160 x 141 x 2.5cm
The Spoils
Bendt Eyckermans
The Spoils, 2023
74 x 66 x 2.5cm
The tower
Bendt Eyckermans
The tower, 2023
189.5 x 158 x 2.5cm
The foundation
Bendt Eyckermans
The foundation, 2024
160 x 141 x 2.5cm
Bound
Bendt Eyckermans
Bound, 2024
49.3 x 41.3 x 2.5cm
The apprentice
Bendt Eyckermans
The apprentice, 2024
160 x 141 x 2.5cm
The performance
Bendt Eyckermans
The performance, 2024
177 x 163 x 2.5cm
Focus pull
Bendt Eyckermans
Focus pull, 2024
49.3 x 41.3 x 3cm
The ruling
Bendt Eyckermans
The ruling, 2025
194 x 159 x 2.5cm
Acknowledgement
Bendt Eyckermans
Acknowledgement, 2025
64 x 52 x 2.5cm
Carlos/Ishikawa
Gallery
Carlos/Ishikawa
London

Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...

Unlock Price & Inquiry Access