Bendt Eyckermans

The passage, 2020196 x 177 x 2.5cmPrice on Request

Details

MaterialGalleryLocation

oil and acrylic on linenCarlos/IshikawaLondon

Description

Human-crafted. AI-refined.

This artwork features a vibrant blue sedan parked in front of an ornate architectural facade with intricate metalwork designs. The painting employs a distinctive style, with the car and its surrounding cobblestoned ground rendered in a highly detailed, realist manner, contrasted against the more stylized, graphic quality of the building's facade. The overall composition draws the viewer's attention to the tension between the modern vehicle and the historic, almost Gothic architecture, hinting at the artist's intention to explore the interplay between contemporary and traditional elements within an urban landscape. ...

Similar Artworks

Rindon JohnsonAn island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, you know A slow crawl to the park Wait first meat A coffee A hill A roundabout A breeze on the lake A larking body of water, once screaming once babbling, once running A sleeping family A white child with A water gun A tall tree A tunneling A horn Another A too small blanket, you in my mind and next to me A wind in my ears, my basement look what I found, leave the lights on A sigh A tie on a rooftop A still flooding Another horn All in the flight path An immovable object A clapping of leaves A certainty, it is seven feet deep One boy watches the other A horn, 202227000 USD

Paul MahekeGisant II, 202411000 EUR

Rindon JohnsonSweet words work better than fierce. The duke left the park in a silver coach. Greet the new guests and leave quickly. When the frost has come it is time for turkey. A thin stripe runs down the middle. A six comes up more often than a ten. Lush fern grow on the lofty rocks, 202245000 USD

Paul MahekeAncestral Muse V, 202310000 EUR

Cui Jie 崔洁Shanghai Federation of Industry & Commerce Building, 2021Price on Request

Rindon JohnsonHello Hello Johnson‘s narcissis, here‘s your moon rising over that yellow thin line of a place not like in the ocean, those cliffs, opening if anything, Who know’s if they’re hurt? Hello Hello, Eden‘s in the sea and you‘re in hell, you then us, hello, hello, When it’s day and I see the moon in the sky does the moon go away before it is night or does the moon also stay? Hello Hello, mesh wire keeps chicks inside, Hello, Hello, The wide road shimmered in the hot sun, Hello Hello, This is what you get when you lay a circle out in triangles or maybe hop over the fence and plunge in, Hello Hello Hello Hello, a giant sees nothing in the mirror, Hello, Hello, can some one get me out of here. Hello hello the sun is the sky, 202235000 USD

Paul MahekeGisant I, 202410000 EUR

Tosh BascoSafi still life, 20213500 USD

Evelyn Taocheng Wang 王伊芙苓韜程Dusk, 2017Price on Request

Sam KeoghUntitled, 2022Price on Request

Cui Jie 崔洁Dolphin Sculpture, 2021Price on Request

Koenraad DedobbeleerOur Present Age of Sophisticated Fatalism, 2022Price on Request

Rindon JohnsonThe grass and bushes were wet with dew. The man counted his old coins. A severe storm tore down the barn. She called his name many times. When you hear the bell, come quickly, 202227000 USD

Paul MahekeUnresolved Shadows (Ibis), 2020195 GBP

Yong Xiang LiStudy for "Hydraulic Masc, 2021Price on Request

Sayre GomezSim City 3, 2024Price on Request

Artist

Bendt Eyckermans

1994, Belgian

Coming from five generations of sculptors based and working in Antwerp, Bendt Eyckermans creates figurative paintings that are at once personal and historically critical. Like Hitchock film scenes, his works are characterised by contradictions and tensions, where tenderness meets aggression, hyperrealist imagery meets cartoonish fragments. With all his characters being his real-life friends, Eyckermans treats the process of painting as his way of processing his life and occurrences he finds himself in. At the same time, his practice makes a critical reference to a complex European colonialiasm entrenched in the history of art. The mysterious atmosphere of his works is accentuated by the use of dark colours, contrasts and unexpected perspectives. Eyckermans’s practice creates an uncanny juxtaposition between mundane, meticulously painted elements, such as peebles, driveways, cards, and his eerie subjects who appear to exist in a determined youth, while also being trapped in a self-aware Western existence. ...

Bendt Eyckermans: Artworks

Bendt EyckermansWhen the leaves began to turn, 2019Price on Request

Bendt EyckermansA touch, 2020Price on Request

Bendt EyckermansDe assemblage, 2021Price on Request

Bendt EyckermansDe kariatide, 2021Price on Request

Bendt EyckermansDe transitie, 2020Price on Request

Bendt EyckermansHet masker, 2020Price on Request

Bendt EyckermansIn de schaduw van zijn bestaan, 2019Price on Request

Bendt EyckermansOchtendster, 2019Price on Request

Bendt EyckermansRed hands, 2020Price on Request

Bendt EyckermansThe passage, 2020Price on Request

Bendt EyckermansThe pedestal, 2021Price on Request

Bendt EyckermansThrough scaffolds and constructs, 202342000 USD

Bendt EyckermansThe Spoils, 202328000 USD

Bendt EyckermansThe tower, 202348000 USD

Bendt EyckermansThe foundation, 202442000 USD

Bendt EyckermansBound, 20247000 USD

Bendt EyckermansThe apprentice, 202442000 USD

Bendt EyckermansThe performance, 202448000 USD

Bendt EyckermansFocus pull, 20247500 USD

Gallery

Carlos/Ishikawa

London

Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...