Details
MaterialGallery
bait candles and ropeInstituto de Visión
Description
Human-crafted. AI-refined.

The artwork features a vertical arrangement of colorful, triangular shapes in a repeating pattern, reminiscent of a stylized Christmas tree or tiered structure. The predominant colors are warm tones of beige, red, and pink, which create a striking visual contrast against the dark, monochromatic background. The precise, geometric composition and the distinct layering technique suggest a minimalist, sculptural approach. This abstract, site-specific installation may reflect the artist's exploration of the relationship between form, space, and perception, inviting the viewer to contemplate the interplay of light, shadow, and material. ...

Carolina Caycedo
Artist
Carolina Caycedo
B.1978, Colombian

Carolina Caycedo (1978, lives in Los Angeles) was born in London to Colombian parents. She transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Carolina’s artistic practise has a collective dimension to it in which performances, drawings, photographs and videos are not just an end result, but rather part of the artist’s process of research and acting. Through work that investigates relationships of movement, assimilation and resistance, representation and control, she addresses contexts, groups and communities that are affected by developmental projects, like the construction of dams, the privatization of water, and its consequences on riverside communities. ...

Carolina Caycedo: Artworks
Muxeres en mi
Carolina CaycedoMuxeres en mi, 2019
365.76 x 182.88cm
Maligna
Carolina CaycedoMaligna, 2019
150 x 900cm
Yacumama
Carolina CaycedoYacumama, 2017
150 x 1200cm
YUMA
A Gente Xingu
Carolina CaycedoA Gente Xingu, 2016
900 x 300cm
In the Dark
Carolina CaycedoIn the Dark, 2018
27.64 x 38.1cm
Dammed Landscape (Dyptych)
Arde
Mamma Nettle Wheel
Uterine Tonic
Carolina CaycedoUterine Tonic, 2021
56 x 56 x 4cm
Anti-Inflammatory
Flying Massachusett
Carolina CaycedoFlying Massachusett, 2020
236 x 422 x 58cm
Dams will burn/Las represas arderán
Big Woman/Mujer grande
Carolina CaycedoBig Woman/Mujer grande, 2017
215.9 x 66.04 x 157.48cm
Damn Knot Anus/Nudo represa ano
The Leap/El salto
Carolina CaycedoThe Leap/El salto, 2017
36.83 x 52.07 x 3.81cm
Blooming (Akiko and Yuko)
Starred Vortex
Carolina CaycedoStarred Vortex, 2022
119.38 x 43.18 x 40.64cm
Embrujo de Buenas Noches
Carolina CaycedoEmbrujo de Buenas Noches, 2022
124.46 x 40.64 x 22.86cm
Turning Lucks
Carolina CaycedoTurning Lucks, 2022
218.44 x 78.74 x 78.74cm
Gold Intensive
Carolina CaycedoGold Intensive, 2024
177.8 x 127cm
Silver Intensive
Carolina CaycedoSilver Intensive, 2024
132.08 x 127cm
Nipple (Salute to Zilia Sanchez)
Carolina CaycedoNipple (Salute to Zilia Sanchez), 2023
124.46 x 119.38 x 48.26cm
Protective Rolla
Carolina CaycedoProtective Rolla, 2022
140 x 42 x 42cm
A Call From Earth’s Womb
Nazar
Carolina CaycedoNazar, 2022
28 x 25.5 x 38cm
Manganese Intensive
Lead Intensive
Mercury Intensive
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...