Charwei Tsai
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Human-crafted. AI-refined.The artwork showcases two fossilized ammonite shells resting on a glass surface. The shells display intricate, spiral patterns in shades of beige and brown, creating a visually captivating composition. The artist has highlighted the natural beauty and symmetry of these ancient marine creatures, using their unique shell structures as the primary subject matter. The piece likely aims to draw attention to the wonders of the natural world and the enduring legacy of prehistoric life. This contemporary presentation of fossilized remains invites the viewer to appreciate the intricate designs and patterns found in nature. ...
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Charwei Tsai: Artworks
mor charpentier
Paris, BogotáEstablished in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...