Charwei Tsai
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Description
Human-crafted. AI-refined.The artwork features a pair of delicately textured seashells resting on a glass surface. The shells display a striking, intricate pattern in muted shades of beige and brown, highlighting the natural beauty of their sculptural forms. The overall composition creates a sense of balance and tranquility, inviting the viewer to appreciate the exquisite details and the inherent grace of these organic structures. This piece likely aims to draw attention to the captivating patterns and designs found in the natural world, encouraging a closer examination of the often overlooked wonders of marine life. ...
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mor charpentier
Paris, BogotáEstablished in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...