watercolor, graphite, charcoal, pastel on silk with shaped birch stretcher barsFrançois Ghebaly
Description
Human-crafted. AI-refined.
Visual Elements: The artwork features a large, ornate frame made of wood, adorned with intricate laser-cut patterns and shapes. The colors are primarily neutral, with a combination of white and grey tones. The overall composition is symmetrical and balanced, with a central motif of a lotus flower or similar floral design.
Subject Matter: The artwork appears to be a window or display case, with the laser-cut frame serving as the primary focus. The interior of the frame showcases a faint, abstract landscape or scene, creating a sense of depth and mystery.
Artistic Style and Technique: The artwork exhibits a distinctive folk art or traditional craft-inspired style, with the elaborate, pattern-based design and the use of wood as the primary material. The laser-cutting technique allows for a high level of precision and detail in the intricate shapes and patterns.
Context: This artwork might be part of a larger installation or exhibition exploring themes of cultural heritage, the interplay between tradition and modernity, or the relationship between art, craft, and architecture. ...
Cindy Ji Hye Kim is a Canadian-Korean painter, who concocts disturbing domestic scenes. In her signature grayscale palette, Kim works with a mixture of oils, acrylics, inks and graphite to create her large-scale works. She has developed a host of three recurring characters within her paintings; Mister Capital, Madam Earth and schoolgirl, these figures undergo and inflict violent acts in the supposed comfort of the home. Mutant SPAM tins cause havoc, rats run riot or ironing chords contort and maim the female figures as they undergo their domestic errands. The horror that unfolds between these stereotypical markers of patriarchy, domesticity and capitalism speaks to the infiltration of these forces within our daily lives. Building on her background in animation and illustration, these tableaux are delivered in a cartoonlike register, cropped awkwardly like strips within a comic, or freeze frames within a film. Kim has spoken about the subversive capacity of cartoon imagery, and its ability to really push the limits of the grotesque in a way that ‘fine art’ media cannot. This graphic approach links her work to artists such as Roy Lichenstein, or Tala Madani and Ebecho Muslimova, who similarly mobilise illustrative registers to deftly examine the restrictions placed upon women’s bodies. Simultaneously magnetic and repulsive, Kim’s paintings demand the viewer’s attention. ...
Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...
