The artwork presents a minimalist composition featuring two rectangular black forms against a white background. The larger rectangle exhibits a subtle textural variation, while the smaller one appears more uniform in its black color. The overall layout emphasizes the contrast between the stark, dark shapes and the expansive, neutral space surrounding them. This spare, reductive style reflects the artist's focus on the essential elements of form, color, and the relationship between positive and negative space, characteristic of the minimalist movement. The piece likely aims to evoke a contemplative and meditative response in the viewer through its austere yet captivating visual language. ...
Clémentine Bruno (b. 1994, Paris) lives and works in London. She received her MFA in Painting at UCL Slade School of Fine Art, London in 2019 and BA in History of Art and Fine Art at Goldsmiths in 2017.
Clémentine Bruno’s complex praxis can be condensed into a study of painting’s presets and indexicals, working through its genres and repetitions as a means of questioning the painter as singular genius. If we liken the writer to the painter, as Bruno posits in her work, words as much as images are infinitely interchangeable to produce different narratives and visual compositions.
Her recent solo and dual exhibition includes: TOTAL, Paris Internationale (Paris, 2022). Recent group exhibitions include: PNI @ 10, Project Native Informant (London, 2023); One Kiss is All It Takes, Halle Nord (Geneva, 2023); The Sky Above the Roof, Tabula Rasa Gallery (Beijing, 2022); Not Before It Had Forgotten You, Fluxus Art Projects at Nicoletti (London, 2022). ...
Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.
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