Where Remote Futures Meet Remote Pasts

Connor McNicholas

Where Remote Futures Meet Remote Pasts, 201910 x 10 x 22.8cmSign in to view price
Details
MaterialGallery
polyamide, bronze, shell, hardwareSuper Dakota
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple yet striking composition. The central element is a white ceramic form, resembling a driftwood or bleached bone, which contrasts with the warm, earthy tone of the pine cone resting upon it. The use of negative space and the clean, clinical display on a white pedestal create a sense of tranquility and contemplation. The artist's intention may be to explore themes of natural decay and the ephemeral nature of life, inviting the viewer to consider the subtle beauty in everyday, overlooked objects. ...

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Indefinite Pitch
Phase Transition
Artist
Connor McNicholas
B.1990, American

Connor McNicholas combines disparate objects and materials from varying times, cultures, and contexts into sculptural assemblages that present non-hierarchical ways of perceiving reality. In their approach, they articulate both poetic variations and diversity while dissolving boundaries between binaries such as past and future, natural and synthetic, and model and reality. McNicholas constructs models of speculative environments by crystallising new properties formed through the synthesis of natural and synthetic materials into a flux of hyper-objects. Their use of diverse materials both found and constructed, juxtapose historical art-making practices (ceramics, bronze casts) modern technologies (3D printing, electronic audio equipment) and organic matter (driftwood, plants) to create an abstract framework inviting the viewer to interconnect with a complex mixture of geological, biological, technological, and social constructions alluding to both where we come from and where we are going. ...

Connor McNicholas: Artworks
The Distance Earth Keeps
Connor McNicholas
The Distance Earth Keeps, 2020
74 x 18cm
Where Remote Futures Meet Remote Pasts
Connor McNicholas
Where Remote Futures Meet Remote Pasts, 2019
10 x 10 x 22.8cm
Since Each of Us Was Several (I)
Connor McNicholas
Since Each of Us Was Several (I), 2022
147 x 34 x 18cm
Perfect Lovers
Connor McNicholas
Perfect Lovers, 2019
30 x 61cm
Phase Transition
Connor McNicholas
Phase Transition, 2019
25.4 x 182.8cm
Super Dakota
Gallery
Super Dakota
Brussels

Super Dakota is a contemporary art gallery founded in 2013 supporting both emerging international artists and established leading artists. The gallery presents multi-disciplinary works with an emphasis on new technologies. They collaborate with galleries and institutions around the world and are committed to developing the career of the artists they represent. Their practice, ethics and integrity are the very core of their project. The galleries program highlights contemporary issues embedded in the zeitgeist and their exhibitions explore cultural, political as well as social contents. Artists exhibited at Super Dakota include but not exclusively: Mark Leckey, Paul McCarthy, Elizabeth Peyton, Adam Pendleton, Jeremy Deller, Alberta Whittle, Wade Guyton, Alexandra Domanovic, Julia Wachtel, Metahaven, Tabor Robak, John Divola, Jan Groover, Math Bass, Lawrence Weiner, Jacob Kassay, Oliver Laric, Magali Reus, Lothar Hempel, Neïl Beloufa, Sin Wai Kin, Bruce Nauman, Sanam Khatibi, Yvonne Rainer, Fischli & Weiss, Raymond Pettibon, Christine Wang, Sarah Abu Abdallah, Fred Sandback, Slavs and Tatars. ...

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