Showroom light I

Davide Stucchi

Showroom light I, 201217.5 x 12.5cmSign in to view price
Details
MaterialGallery
photosensitive paperMartina Simeti
Description
Human-crafted. AI-refined.

The three cyanotype prints exhibit a minimalist and abstract aesthetic. The primary visual element is a stark white, rounded shape floating against a deep blue background, creating a striking contrast. The shapes appear to be negative impressions, with a subtle mesh or perforated pattern within them. The overall composition is clean and symmetrical, with the three framed works forming a cohesive triptych. The artist's technique likely involves photographic processes, using cyanotype to produce the distinctive blue-and-white images. This series seems to explore themes of form, light, and the interplay of positive and negative space, reflecting the artist's interest in modernist and conceptual approaches to contemporary art. ...

Similar Artworks
Mouvants au Matin
Lulù Nuti
Mouvants au Matin, 2021
130 x 278cm
die hippie sunbeam’s fever dream - where the caterpillars feed on the blood drops of dead fascists
Lou Lou Sainsbury
die hippie sunbeam’s fever dream - where the caterpillars feed on the blood drops of dead fascists, 2020
29.7 x 20.7cm
because the rain passes through me, i am the highest form of pure love
Lou Lou Sainsbury
because the rain passes through me, i am the highest form of pure love, 2024
Veinticuatro manos más cerca
Daniel Otero Torres
Veinticuatro manos más cerca, 2021
320 x 180 x 70cm
Ipotesi per sette teste I
Lulù Nuti
Ipotesi per sette teste I, 2023
50 x 78 x 33cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Symptom
Paloma Proudfoot
Symptom, 2024
176 x 195 x 4cm
Ares
Vojtěch Kovařík
Ares, 2023
230 x 260 x 290cm
Weeknight
Elizabeth Ravn
Weeknight, 2023
50 x 40cm
Los abrazos del vient
Daniel Otero Torres
Los abrazos del vient, 2023
230 x 165cm
Ipotesi per sette teste II
Lulù Nuti
Ipotesi per sette teste II, 2023
100 x 10 x 8cm
Donde llueve y se desborda
Daniel Otero Torres
Donde llueve y se desborda, 2024
21.5 x 16.5cm
Pierre Papier Ciseaux
Lulù Nuti
Pierre Papier Ciseaux, 2024
50 x 15 x 7.5cm
parasitic girl
Alexander The Great and His Horse Bucephalus
Vojtěch Kovařík
Alexander The Great and His Horse Bucephalus, 2022
70 x 60cm
Los trazos del mar
Daniel Otero Torres
Los trazos del mar, 2023
195 x 130cm
Rebecca Triumphant
Elizabeth Ravn
Rebecca Triumphant, 2023
65 x 55cm
Body Diary 1016_215625 dolls 4 dolls
Lou Lou Sainsbury
Body Diary 1016_215625 dolls 4 dolls, 2023
41.28 x 25.7cm
Dionysus Descended Into The Underworld To Free His Mother
Vojtěch Kovařík
Dionysus Descended Into The Underworld To Free His Mother, 2022
220 x 200cm
Sans Horizon
Los abrazos del viento
Daniel Otero Torres
Los abrazos del viento, 2024
230 x 165cm
Tail End
Tube (Regarde)
Lulù Nuti
Tube (Regarde), 2024
227 x 40 x 40cm
The Present and the Past
Vojtěch Kovařík
The Present and the Past, 2022
200 x 200cm
Body Diary 1231_183717 the first truth is in the earth and the body
Lou Lou Sainsbury
Body Diary 1231_183717 the first truth is in the earth and the body, 2023
41.28 x 25.7cm
Sound Bleed
Paloma Proudfoot
Sound Bleed, 2025
136 x 102.5 x 7.5cm
Pastore delle nuvole (Monotipo 7)
Pietro Fachini
Pastore delle nuvole (Monotipo 7), 2024
44 x 33cm
Oh, Really?
Julia Long
Oh, Really?, 2021
80 x 60cm
Sunbeam's Frenz (the Solar Anus)
Lou Lou Sainsbury
Sunbeam's Frenz (the Solar Anus), 2020
120 x 81.2cm
Portrait of Zephyrus
Vojtěch Kovařík
Portrait of Zephyrus, 2023
78 x 80cm
Tube (Apeuré)
Lulù Nuti
Tube (Apeuré), 2024
167 x 50 x 35.5cm
Magdo and Lucci (Neukölln Bed) II
Elizabeth Ravn
Magdo and Lucci (Neukölln Bed) II, 2022
55 x 60cm
Los abrazos del viento
Daniel Otero Torres
Los abrazos del viento, 2023
230 x 165cm
By the Highway 19
Rafik Greiss, Ser Serpas
By the Highway 19, 2023
32 x 24cm
Davide Stucchi
Artist
Davide Stucchi
B.1988, Italian

Davide Stucchi’s artistic research makes use of minimal interventions, often ones of subtraction or alteration, on preexisting materials. His installations evoke absent bodies that interact with vulnerable objects in the intimacy of spaces sculpted by intimate and private feelings and memories. The comparison with external realities such as fashion, advertising and the domestic environment in Stucchi’s works, serves as an expedient for the deconstruction of social and gender representations. With a certain sense of irreverence without narrative justifications, Stucchi’s works are on the threshold of the image without taking it for real, on that point that crosses the plot of the experience remaining dubious and always distant. His is a proposal for the deconstruction of the macho ideal, also through a given methodology, not in the productive effort. Bodies and objects become desirable and desiring subjects, sensual elements that come alive and invite close relationships and new gestures. ...

Davide Stucchi: Artworks
Anacapri
Davide Stucchi
Anacapri, 2013
21.6 x 15 x 2cm
Anacapri
Davide Stucchi
Anacapri, 2013
21.6 x 15 x 2cm
Capri
Davide Stucchi
Capri, 2013
21.6 x 15 x 2cm
Untitled
Davide Stucchi
Untitled, 2013
21.6 x 15 x 2cm
Light Switch (Entryway)
Davide Stucchi
Light Switch (Entryway), 2024
7 x 16 x 0.5cm
Neck Laced #3
Davide Stucchi
Neck Laced #3, 2024
22 x 20 x 26cm ⌀20cm
Showroom light I
Davide Stucchi
Showroom light I, 2012
17.5 x 12.5cm
Martina Simeti
Gallery
Martina Simeti
Milan

Since the gallery was established in 2018, Martina Simeti has cultivated an interdisciplinary program. Martina Simeti is deeply involved in the production process together with the represented artists, working actively to generate new opportunities for exhibition beyond its own walls.

Unlock Price & Inquiry Access