Details
Description
The three cyanotype prints exhibit a minimalist and abstract aesthetic. The primary visual element is a stark white, rounded shape floating against a deep blue background, creating a striking contrast. The shapes appear to be negative impressions, with a subtle mesh or perforated pattern within them. The overall composition is clean and symmetrical, with the three framed works forming a cohesive triptych. The artist's technique likely involves photographic processes, using cyanotype to produce the distinctive blue-and-white images. This series seems to explore themes of form, light, and the interplay of positive and negative space, reflecting the artist's interest in modernist and conceptual approaches to contemporary art. ...
Similar Artworks
Davide Stucchi
B.1988, ItalianDavide Stucchi’s artistic research makes use of minimal interventions, often ones of subtraction or alteration, on preexisting materials. His installations evoke absent bodies that interact with vulnerable objects in the intimacy of spaces sculpted by intimate and private feelings and memories. The comparison with external realities such as fashion, advertising and the domestic environment in Stucchi’s works, serves as an expedient for the deconstruction of social and gender representations. With a certain sense of irreverence without narrative justifications, Stucchi’s works are on the threshold of the image without taking it for real, on that point that crosses the plot of the experience remaining dubious and always distant. His is a proposal for the deconstruction of the macho ideal, also through a given methodology, not in the productive effort. Bodies and objects become desirable and desiring subjects, sensual elements that come alive and invite close relationships and new gestures. ...
Martina Simeti
MilanSince the gallery was established in 2018, Martina Simeti has cultivated an interdisciplinary program. Martina Simeti is deeply involved in the production process together with the represented artists, working actively to generate new opportunities for exhibition beyond its own walls.