The three cyanotype prints exhibit a minimalist and abstract aesthetic. The primary visual element is a stark white, rounded shape floating against a deep blue background, creating a striking contrast. The shapes appear to be negative impressions, with a subtle mesh or perforated pattern within them. The overall composition is clean and symmetrical, with the three framed works forming a cohesive triptych. The artist's technique likely involves photographic processes, using cyanotype to produce the distinctive blue-and-white images. This series seems to explore themes of form, light, and the interplay of positive and negative space, reflecting the artist's interest in modernist and conceptual approaches to contemporary art. ...
Davide Stucchi’s artistic research makes use of minimal interventions, often ones of subtraction or alteration, on preexisting materials. His installations evoke absent bodies that interact with vulnerable objects in the intimacy of spaces sculpted by intimate and private feelings and memories. The comparison with external realities such as fashion, advertising and the domestic environment in Stucchi’s works, serves as an expedient for the deconstruction of social and gender representations.
With a certain sense of irreverence without narrative justifications, Stucchi’s works are on the threshold of the image without taking it for real, on that point that crosses the plot of the experience remaining dubious and always distant. His is a proposal for the deconstruction of the macho ideal, also through a given methodology, not in the productive effort. Bodies and objects become desirable and desiring subjects, sensual elements that come alive and invite close relationships and new gestures.
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Deborah Schamoni is a contemporary art gallery based in Munich, Germany.
Situated in a 1970s villa, the gallery is able to offer its artists a spacious white cube, flooded with daylight and opening up to a greened outdoor area, as well as an independent smaller room.
Since its founding in 2013, the gallery has focused on showing and supporting emerging international artists and it presents an exceptional program that unites international positions with a subversive and self-reflexive approach to art making considering the complexity of human coexistence.
The gallery often stages the first shows of upcoming international artists in Germany. The program is developing a distinct profile with artists like Maryam Hoseini, Yong Xiang Li, and Flaka Haliti, who investigate the sociopolitical conditions of queer identity and gender, and share a diasporic experience in their works.
Beyond its international focus, the gallery has been playing an important part in establishing Munich as a prominent destination for contemporary art and its discourses. ...
