Belongs to...

Douglas Gordon

Belongs to..., 2020111.8 x 111.8 x 5cm36500 EUR
Details
MaterialGalleryLocation
gesso and mixed media on canvasDvir GalleryTel Aviv
Description
Human-crafted. AI-refined.

This abstract artwork features a muted color palette of beige and earthy tones, with organic shapes and splatters creating a sense of movement and spontaneity. The composition appears to be a tarnished or weathered surface, with the central form resembling a distorted map or landmass. The artist's technique combines elements of gestural abstraction and spontaneous mark-making, resulting in a work that suggests themes of decay, erosion, and the passage of time. The overall effect is both visually striking and evocative, inviting the viewer to ponder the hidden narratives and associations embedded within the artwork. ...

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Douglas Gordon
Artist
Douglas Gordon
1966

Douglas Gordon explores a wide range of themes, including morality, ethics, mental and physical states, and collective memory and self-identity in his work. He uses a variety of mediums, such as literature, folklore, and iconic Hollywood films, as well as his own footage, drawings, and writings, to manipulate time and language in order to disorient and challenge the viewer. He attended the Slade School of Fine Art in London, where he deepened his interest in cinema and film. After that, he returned to Glasgow and became involved with Transmission Gallery, where he presented one of his notable works, 24 Hour Psycho (1993), which extended the duration of Alfred Hitchcock's film Psycho (1960) from its original 110 minutes to twenty-four hours. Gordon is heavily influenced by Scottish literary history, particularly by the tension between good and evil. He has created work such as Tale of a Justified Sinner (1995), which references Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde and Déjà-Vu (2000), which is composed of footage from Rudolph Maté's D.O.A. (1949). Gordon's work continues to explore themes of identity, self-image, and mortality through various mediums such as text works, neon art, and film and video. He also created a series of sculptures depicting parts of his own hands and forearms in positions that could be interpreted as both innocent and sinister, suggesting the internal struggles of the individual. ...

Douglas Gordon: Artworks
Belongs to…
Douglas GordonBelongs to…, 202022000 EUR
Belongs to…
Douglas GordonBelongs to…, 202022000 EUR
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Douglas GordonBelongs to…, 202012000 EUR
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Douglas GordonBelongs to…, 202019000 EUR
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Douglas GordonBelongs to…, 202022000 EUR
Croque morts (A)
Douglas GordonCroque morts (A), 200010000 EUR
Croque morts (C)
Douglas GordonCroque morts (C), 200010000 EUR
Croque morts (E)
Douglas GordonCroque morts (E), 200010000 EUR
Self Portrait of You + Me (Elvis and bleeding crotch)
Douglas GordonSelf Portrait of You + Me (Elvis and bleeding crotch), 2019180000 USD
Self Portrait of You + Me (NoNo)
Douglas GordonSelf Portrait of You + Me (NoNo), 2015150000 USD
Self portrait of you + Me (Jackie 64 parts)
Douglas GordonSelf portrait of you + Me (Jackie 64 parts), 2015220000 USD
Self Portrait of You + Me (Elvis 6 Pistols)
Douglas GordonSelf Portrait of You + Me (Elvis 6 Pistols), 2019120000 USD
Self Portrait of You + Me (Duo quartet Elvis)
Douglas GordonSelf Portrait of You + Me (Duo quartet Elvis), 2017300000 USD
Self portrait of you + Me (Jackie 64 parts)
Douglas GordonSelf portrait of you + Me (Jackie 64 parts), 2015300000 USD
Self Portrait of You + Me (Duo quartet Elvis)
Douglas GordonSelf Portrait of You + Me (Duo quartet Elvis), 2017380000 USD
Self Portrait of You + Me (Elvis eight by two)
Douglas GordonSelf Portrait of You + Me (Elvis eight by two), 2017220000 USD
Belongs to...
Douglas GordonBelongs to..., 202019500 EUR
Belongs to...
Douglas GordonBelongs to..., 202019500 EUR
Belongs to...
Douglas GordonBelongs to..., 202019500 EUR
Belongs to...
Douglas GordonBelongs to..., 202036500 EUR
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...