Pickles: The Dog Who Won the World Cup; The Reason I Jump

Ed Fornieles

Pickles: The Dog Who Won the World Cup; The Reason I Jump, 2021242 x 19 x 4cmSign in to view price
Details
MaterialGallery
large format inkjet print on semi gloss photographic paper, mount board with multi aperture windows, overall installedChisenhale Gallery
Description
Human-crafted. AI-refined.

This minimalist artwork features a vertical arrangement of small square images, each showcasing a different visual element. The composition is simple yet striking, with the recurring square motif creating a sense of order and rhythm. The subject matter varies, ranging from abstract patterns to landscape scenes, suggesting a diverse collection of visual references. The artist's approach appears to be conceptual, using the serialized format to invite viewers to contemplate the relationship between the individual images and the overall installation. This piece likely reflects the artist's interest in exploring the dynamics of visual perception and the power of repetition in contemporary art. ...

Similar Artworks
Narrative Reflections On Looking, Part One / She Was More Than The Sum Of My Parts
Sin Wai Kin
Narrative Reflections On Looking, Part One / She Was More Than The Sum Of My Parts, 2016
Beware! This is an erogenous zone
Flo Brooks
Beware! This is an erogenous zone, 2020
54 x 57.1 x 4.4cm
Act 1 Part 1 tell me everything you saw and what you think it means
Sin Wai Kin
Act 1 Part 1 tell me everything you saw and what you think it means, 2018
The boundary of you and not you 1
Sin Wai Kin
The boundary of you and not you 1, 2020
34.5 x 31.5 x 7cm
YessSIR! Back off! Tell me who I am again?!
Flo Brooks
YessSIR! Back off! Tell me who I am again?!, 2018
197 x 177 x 4.5cm
Dolphin Sculpture
Cui Jie 崔洁
Dolphin Sculpture, 2021
210 x 250cm
To be or no to be
Flo Brooks
To be or no to be, 2020
164 x 188 x 4.5cm
Deliquescing
Face Value (Dollar Baby)
Sin Wai Kin
Face Value (Dollar Baby), 2017
34.5 x 31.5 x 7cm
speculative fiction 2 (blue)
Georgie Nettell
speculative fiction 2 (blue), 2018
8.5 x 10 x 3cm
New Teenager Here Comes Trouble
Flo Brooks
New Teenager Here Comes Trouble, 2018
21 x 21 x 3cm
Contouring
Sophia Al Maria
Contouring, 2017
24 x 42cm
Nepenthe (Monument for Forgetting)
Lawrence Lek
Nepenthe (Monument for Forgetting), 2021
Fish - on a projected shadow from a window
Neil Beloufa
Fish - on a projected shadow from a window, 2021
67 x 98 x 7cm
Shanghai Federation of Industry & Commerce Building
Cui Jie 崔洁
Shanghai Federation of Industry & Commerce Building, 2021
220 x 180cm
Right But Not Accurate VII
Jeanette Mundt
Right But Not Accurate VII, 2022
122 x 66cm
Ed Fornieles
Artist
Ed Fornieles
B.1983, British

In his practice, Ed Fornieles investigates the impact the virtual world has on physical reality, and vice versa. By blurring the distinctions between the online and the offline, his installations, performances and video works mirror social networks and often use them as artistic tools. His practice involves creating elaborate social scenarios which depict the stark difference between people’s real-life personalities and their online personae. For instance, his 2011 project titled Dorm Daze involved creating characters, inspired by American college students, on Facebook which then interacted with each other for three months, thereby forming connections and subjective experiences. The artist’s live performances similarly orchestrate social settings, often placed within the young person’s coming of age context, to which the audience is invited to actively participate and role-play. By drawing on social media interactions and placing them into the real world, Fornieles creates uncanny observations on people, relationships and the condition of the twenty-first century. ...

Ed Fornieles: Artworks
Adventureland
Ed Fornieles
Adventureland, 2011
202 x 231 x 54cm
Contagion
Ed Fornieles
Contagion, 2011
150 x 125 x 230cm
Glock
Ed Fornieles
Glock, 2011
102 x 41 x 20cm
Orca
Ed Fornieles
Orca, 2011
219 x 230 x 77cm
Dinosaurs & Strange Creatures with Mr. Know-it-Owl
Ed Fornieles
Dinosaurs & Strange Creatures with Mr. Know-it-Owl, 2021
18.5 x 93.5 x 4cm
Pickles: The Dog Who Won the World Cup; The Reason I Jump
Ed Fornieles
Pickles: The Dog Who Won the World Cup; The Reason I Jump, 2021
242 x 19 x 4cm
A Happy Ending
Ed Fornieles
A Happy Ending, 2021
107.5 x 107.5 x 5cm
Associations
Bad Tales
Ed Fornieles
Bad Tales, 2021
53 x 62.5 x 4cm
My Dad Is a Sausage
Ed Fornieles
My Dad Is a Sausage, 2021
107.5 x 107.5 x 5cm
The Bears in the Bed and the Great Big Storm
Ed Fornieles
The Bears in the Bed and the Great Big Storm, 2021
107.5 x 107.5 x 5cm
The Here After
Ed Fornieles
The Here After, 2016
90 x 90 x 5cm
The Rapture
Ed Fornieles
The Rapture, 2016
20 x 20 x 15cm
Tulip Fever
Ed Fornieles
Tulip Fever, 2017
64 x 100cm
War Room
Ed Fornieles
War Room, 2015
85.1 x 58.4 x 1.3cm
wtFOCK
Ed Fornieles
wtFOCK, 2022
107.5 x 107.5cm
Our flag means death
Ed Fornieles
Our flag means death, 2022
107.5 x 107.5cm
Let's Be Cops
Ed Fornieles
Let's Be Cops, 2014
40 x 30 x 6cm
Chisenhale Gallery
Gallery
Chisenhale Gallery
London

Unlock Price & Inquiry Access